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Movers & Shapers: Amy Miller

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Photo Credit: Julieta Cervantes

Photo Credit: Julieta Cervantes

MOVERS & SHAPERS:

Podcast No.27 – Amy Miller

Release Date: July 5, 2016

Download Episode on iTunes, Subscribe, and Rate Us HERE
Download Episode on Stitcher HERE
Join the Movers and Shapers Facebook Community HERE
Follow on Twitter @ShapersPodcast HERE

 

ABOUT AMY MILLER: ASSOCIATE ARTISTIC DIRECTOR AND COMPANY CO-DIRECTOR GIBNEY DANCE COMPANY

AMY MILLER is a dancer, choreographer, educator and advocate. A former principal with the Ohio Ballet, Miller spent a decade performing masterworks by such choreographers as Anthony Tudor, José Limon, Kurt Jooss, and Paul Taylor, as well as Lucinda Childs, Laura Dean, and Alonzo King among many others.  She was a founding member of Cleveland-based GroundWorks DanceTheater, where she collaborated on new work with such dance-makers as David Shimotakahara, Dianne McIntyre, Alex Ketley, Keely Garfield, David Parker and Gina Gibney.   As Artistic Associate of GroundWorks, Miller choreographed seven works on the company and remains a guest artist.  Such composers as the genre-defying Ryan Lott (aka Son Lux), and Oberlin Conservatory of Music professor and composer Peter Swendsen have worked with Miller on a wide range of musical scoring for dance.  Miller and Swendsen’s ongoing collaboration has produced numerous projects for GroundWorks, as well as solo works, and a recent premiere with Gibney Dance Company. Her solo work has been seen in New York City at Judson Church, Mark Morris Dance Center, and Scandinavia House and has been produced at Spoke the Hub, West Fest Dance Festival, the West End Theater’s Soaking WET series. Prioritizing esthetic versatility, Miller teaches both Professional Level Ballet and Contemporary Forms classes at Gibney Dance Center and has fosterednumerous collegiate teaching residencies including Cleveland State University, Oberlin College and NYU’s Tisch School of the Arts.

Interested in finding ways to foster both artistic excellence and social engagement in all of her work, Miller strives to prioritize both components in equal measure.  As Associate Artistic Director, Miller focuses on Gibney Dance’s Community Action program through facilitating movement workshops with survivors of trauma, conducting both local and international trainings for artists interested in engaging in social action, developing healthy relationship workshops for young people, and raising awareness about the role of the arts in violence prevention.  Miller has conducted Gibney Dance Global Community Action Residencies at Mimar Sinan University and Koc University (Istanbul), University of Cape Town (South Africa), DOCH: School of Dance and Circus (Stockholm) and MUDA Africa (Tanzania.) In addition to her artistic and community action work with the Company, Amy is Co-Directing the Discover Dance New York City program, which offers comprehensive, customized residency opportunities for university students from all over the world.  Last spring, Miller was honored to receive a Arts & Artists in Progress “Pay it Forward” Award from Brooklyn Arts Exchange.

MORE ON AMY MILLER

PODCAST INTERVIEW LINKS

Ohio Ballet and Heinz Poll

Thomas Skelton 

David Shimotakahara

GroundWorks DanceTheater

University of Akron – School of Dance

Gibney Dance

Incarcerated Voices – The If Project

Rolfing

Podcast produced by: The Moving Architects
Interviewer: Erin Carlisle Norton
Intro Music: “Singing Distance” by Elijah Aaron

Movers & Shapers: Tiffany Rea-Fisher

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MOVERS & SHAPERS:IMG_0553
Podcast No.26 – Tiffany Rea-Fisher

Release Date: June 21, 2016

Download Episode on iTunes, Subscribe, and Rate Us HERE
Download Episode on Stitcher HERE
Join the Movers and Shapers Facebook Community HERE
Follow on Twitter @ShapersPodcast HERE

 

ABOUT TIFFANY REA-FISHER: ARTISTIC DIRECTOR

TIFFANY REA-FISHER is the newly appointed Artistic Director of Elisa Monte Dance.  Tiffany joined Elisa Monte dance in 2004 where she was principal dancer until 2010, performing lead roles in classic works such as Treading, Pigs and Fishes, Shattered, and Volkmann Suite. She was named Dance Magazine’s “On the Rise” person for their 2007 August issue based on her performance during the company’s 2006 season at the Joyce Theater and since then has been featured in nation and international publications for both her dancing and choreography. As a choreographer Tiffany has had the pleasure of creating numerous pieces for the company most notably meeting and having her work performed for the Duke and Duchess of Luxembourg.

Tiffany’s work extends well beyond the stage creating work for the film, fashion and the music industry. In 2012 Tiffany was chosen to create a new work for the Louis Vuitton / Reconstruction 3.0 Life is a Journey project. In 2015 Tiffany choreographed Transcendence a dance film for fashion designer Paola Hernández 2015 fashion week runway show. Paola and Tiffany are currently collaborating on a live fashion, dance film event for Paola’s line for the winter of 2016.

Teaching is a big part of Tiffany’s position and she has since taught master classes and workshops at The Ailey School, City Center, Dance New Amsterdam, Dickinson State University, George Mason University, Juilliard, NYU Tisch, Peridance, SUNY Purchase, and Wells College . Currently she is on faculty at the Joffrey School of Ballet and a substitute teacher at Steps on Broadway.

In 2009 Tiffany and her husband started the non-profit Inception to Exhibition (ITE) which supports NYC-based artists in the fields of Dance, Theater, Music and Film through monetary grants and performance/exhibition opportunities. Tiffany’s current affiliations include Women of Color in the Arts Member, Dance/USA Member, Steps on Broadway (substitute teacher) and Purchase College (substitute teacher).

Tiffany Rea-Fisher received her BFA from the Conservatory of Dance at Purchase College SUNY.  While at Purchase she co-founded ForArts, the school’s first interdisciplinary presenting organization, which provided opportunities for students from different conservatories to create collaborative works. In 2004 Tiffany created, directed, and curated Dance at the Tank. She left the Tank in 2007 and currently serves on their advisory board.

MORE ON TIFFANY REA-FISHER

PODCAST INTERVIEW LINKS

SUNY Purchase College – Dance

Elisa Monte

Kevin Wynn

Kyle Abraham

The Tank

Inception to Exhibition

Paola Hernandez 

Classical Theatre of Harlem present Macbeth

Ty Jones

Royal Swedish Ballet

Podcast produced by: The Moving Architects
Interviewer: Erin Carlisle Norton
Intro Music: “Singing Distance” by Elijah Aaron

Movers & Shapers: Dorian Wallace

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headMOVERS & SHAPERS:
Podcast No.25 – Dorian Wallace

Release Date: June 7, 2016

Download Episode on iTunes, Subscribe, and Rate Us HERE
Download Episode on Stitcher HERE
Join the Movers and Shapers Facebook Community HERE
Follow on Twitter @ShapersPodcast HERE

 

ABOUT DORIAN WALLACE: COMPOSER AND MUSICIAN

Dorian Wallace is a composer, improviser and pianist of contemporary classical music, new music, radical avant-garde, spontaneous improvisation and free jazz. His works encompass chamber ensembles, orchestral, opera, classical dance, vocal, percussion, electronic, improvisation, large jazz ensemble, and film. He is an activist for secularism, human rights, and homelessness.

He is Co-Founder and Artistic Director of Tenth Intervention, a contemporary classical presenter in New York City.  Tenth Intervention includes The Tenth Intervention Ensemble, a contemporary classical chamber ensemble with a flexible roster, The Free Sound Ahn-somble, an inventive and improvisational septendectet, and Trystero, a surreal night-club act that constructs theatrical performances and electronic music.

Notable work includes We Are Legion, an immersive chamber work inspired by the hacktivist collective, Anonymous, The Rest !s Sh!t: Stories from the Microchasm, an opera-for-television, and his performance of Buddy, “The World’s Greatest Piano Player” in Robert Ashley’s opera-for-television Perfect Lives.

He has received commissions, performed and recorded with artists such as Robert Ashley, John Sanborn, Aleksandra Vrebalov, John King, Frank London, Dave Liebman, Seneca Black, The Cleveland Orchestra Piano Trio, Experiments In Opera, Composers Concordance, 42nd Parallel, Paperwing Ensemble, New Vintage Baroque, 1685, LottDance, The Shekinah Big Band, RIOULT Dance NY, 10 Hairy Legs, Alison Cook Beatty Dance, The Gwen Rakotovao Company, Shelter Repertory Dance Theatre, The Median Movement and TRIODance. His music has been performed in New York City, Bangkok, Cleveland, Paris, Mexico City, Chicago, Canton, and Los Angeles. He composed the score to Hernando Bensuelo’s award winning film ”Last Look”, Tiger Chengliang Cai’s “Six Dreams about A City”, and the upcoming documentary “Requiem For A Bird” by Cylixe.  Wallace is a staff musician and composer for dance at Barnard College of Columbia University, New York University Tisch School of the Arts, The Martha Graham Dance Company, The Juilliard School, Ballet Hispanico, Kat Wildish and Doug Varone and Dancers.

He studied Music Composition with Sebastian Birch, Pat Pace, Tom Janson, Frank Wiley and Chas Baker at Kent State University. He has served 7 years in the US Army National Guard and is a member of the 63rd Army Band. Dorian currently resides in Harlem, New York City with his partner, violinist Hajnal Pivnick.

MORE ON DORIAN WALLACE

PODCAST INTERVIEW LINKS

Ashland Symphony Orchestra

Rachmaninoff in C# Minor

The Rite of Spring

Slayer

Dr. Sebastion Birch

Chas Baker

John Cage

John Cage, Rules of Being a Student

John Philip Sousa

Arnold Schoenberg

Steve Coleman

Meshuggah

Kronos Quartet

Alison Cook Beatty 

Amy Miller

Jennifer McQuiston Lott

Anonymous Work – “We are Legion”

Ryan Lot/Son Lux

“The Art of Peace”

Podcast produced by: The Moving Architects
Interviewer: Erin Carlisle Norton
Intro Music: “Singing Distance” by Elijah Aaron

Movers & Shapers: Kat Wildish

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Podcast No.24 – Kat Wildish

Release Date: May 17, 2016

Download Episode on iTunes, Subscribe, and Rate Us HERE
Download Episode on Stitcher HERE
Join the Movers and Shapers Facebook Community HERE
Follow on Twitter @ShapersPodcast HERE

 

ABOUT KAT WILDISH:  MASTER BALLET INSTRUCTOR

Kat Wildish is one of those rare ballerinas who appeared with both New York City Ballet (under founder George Balanchine) and American Ballet Theatre (under artistic director Mikhail Baryshnikov), as well as with such companies as Zurich Ballet, Metropolitan Opera Ballet, and The Eglevsky Ballet (under Edward Villella). A teacher with 40 years’ experience, she is an expert in ballet’s great pedagogical traditions: Balanchine technique, Vaganova, and Cechetti. She is also an ABT® Certified Teacher, in Primary through Level 7/Partnering of the ABT® National Training Curriculum. She has mentored teachers for the Dance Educators of America and as a member of the U.S. Faculty of Education of the United Kingdom’s Royal Academy of Dance. She is currently on the faculty of The Joffrey School and leads open classes at Peridance Capezio Center, Ballet Arts, Gibney Dance, and Ripley-Grier. She has been a guest teacher both internationally (Germany, Switzerland, Japan, and, most recently, Italy) and in states ranging from Florida to Alaska. She also teaches privately and coaches dancers for competitions like the Youth America Grand Prix. In February 2014 Wildish was on the cover of Dance Teacher magazine. Under the rubric “Kat Wildish Presents,” she masterminded the Performing in NY Showcases (three times a year, six performances) for passionate students and larger companies (six dancers and up) eager for stage experience and exposure. Just recently she introduced the Performing in NY Spotlight Series (twice a year, four performances) for soloists and smaller groups.  She also produces the Festival of Dance Schools.  To study with Kat is to be the beneficiary of superlative technical training, a lifetime of accumulated ballet lore, and a generous, elegant spirit. She prepares her students not only to dance beautifully, but to live with grace.

MORE ON KAT WILDISH

PODCAST INTERVIEW LINKS

Louisville Ballet

Pace School of the Performing Arts

Harkness Center for Dance Injuries

Melissa Hayden

New York City Ballet

George Balanchine

Peter Martins

American Ballet Theater

Lincoln Kirstein

Eglevsky Ballet 

Metropolitan Opera 

Maurice Béjart

William Forsythe

Zurich Ballet

Mikhail Baryshnikov 

Broadway Dance Center

The Ailey Extension

Peridance

Gibney Dance

Harlem School of the Arts

Podcast produced by: The Moving Architects
Interviewer: Erin Carlisle Norton
Intro Music: “Singing Distance” by Elijah Aaron

Movers & Shapers: Tiffany Mills

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Tiffany Mills dance Workshop at Tisch, NYU, 2015

Photo: Julie Lemberg

MOVERS & SHAPERS:
Podcast No.23 – Tiffany Mills

Release Date: May 3, 2016

Download Episode on iTunes, Subscribe, and Rate Us HERE
Download Episode on Stitcher HERE
Join the Movers and Shapers Facebook Community HERE
Follow on Twitter @ShapersPodcast HERE

 

ABOUT TIFFANY MILLS:  CHOREOGRAPHER, DANCER

Tiffany Mills moved to NYC in 1995, and formed the Brooklyn-based Tiffany Mills Company in 2000. Her work centers on human relationships, is grounded in partnering and improvisation, and is fueled by collaboration across mediums. The company will be presented by La MaMa in their La MaMa Moves! Festival May 12-15, 2016. In 2012-13, the company was selected to participate in the inaugural session of BAM’s Professional Development Program, which culminated in a NYC Season at BAM Fisher. The company’s collaborative work has been performed in NYC and nationally: PICA’s TBA Festival (OR), Wexner Center (OH), Contemporary Dance Theater/NPN (OH), Jacob’s Pillow Dance Festival Residency (MA), Dance Place (DC), Guggenheim Museum Works & Process, Duke on 42 Street, Symphony Space, Lincoln Center Out-of-Doors, Dancing in the Streets, Joyce SoHo, Baryshnikov Arts Center, Danspace Project’s City/Dans Series, DTW, PS 122, Movement Research at Judson Church, Tribeca Performing Arts Center, HERE, and in Russia, Italy, Mexico and Canada. Awards and residencies: NYU’s Tisch Summer Dance Festival Residency (15), CUNY Dance Initiative Residencies (14-15), BAM/PDP (12-13), Joyce’s Mellon Anchor Tenant Program (11-present), Baryshnikov Arts Center Residency (10), Dance New Amsterdam Residency (10), Joyce Residency (07-08), Field Residency (08), LMCC Swing Space Residency (08-09, 12), Bogliasco/Jerome Robbins Foundation Fellowships (Italy 07), Help Desk (05-06), HERE’s Artist Residency (02-03), Dance/NYC Artistic Advisory Board (02-03), ACDFA Adjudicator (04, 07, 16), TPAC/LMCC Space Grant (05-06), University of Oregon Alumni Award & Boekhelheide Creativity Award (05 & 06), Bates Dance Festival Emerging Choreographer Award (98). Funding includes: Asian Cultural Council, Evelyn Sharp Foundation, Harkness Foundation (via HERE), Mertz Gilmore Foundation (via La MaMa), Fund for Creative Communities, DCA, BAC/JPMC, BAC/DCA, BAC/NYSCA, BAC/Destination Brooklyn, Bossak/Heilbron, Sorin Charitable Trust, Puffin Foundation, MCAF, Meet the Composer, American Music Center, and New Music USA. Current and past teaching: Tisch Summer Festival Residency, Gibney Dance Center, Dance New Amsterdam, Trisha Brown Studio, The Playground, Earthdance (MA), Velocity (WA), Conduit (OR), plus festivals and universities nationally/internationally. Additionally, the Tiffany Mills Company holds an annual Summer Partnering Intensive, now in its 11th year. Mills hails from Oregon (BA in Dance from University of Oregon, MFA in Choreography from Ohio State University).

MORE ON TIFFANY MILLS

PODCAST INTERVIEW LINKS

University of Oregon – Dance

Ohio State University – Dance

Vickie Blaine

Trisha Brown

Larry Keigwin

Miguel Gutierrez

DTW/NYLA

Bessie Schonberg

Ursula Payne 

Susan Van Pelt Petry

David Parsons

Guggenheim Museum Performance

John Zorn

Wexner Center for the Arts

TBA Festival at PICA

Bebe Miller

Doug Varone

Klein Technique/Barbara Mahler

“Tomorrow’s Legs”

Danspace Project

“Berries and Bulls”

BAC Residency Program

BAM professional development program

“After the Feast” Collaborators

Gibney Dance

ACDA

Podcast produced by: The Moving Architects
Interviewer: Erin Carlisle Norton
Intro Music: “Singing Distance” by Elijah Aaron

Movers & Shapers: Wendy Osserman

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MOVERS & SHAPERS:
Podcast No.22 – WENDY OSSERMANWENDY OSSERMAN, 2015, -COURTESY OF WENDY OSSERMAN,422

Release Date: April 19, 2016

Download Episode on iTunes, Subscribe, and Rate Us HERE
Download Episode on Stitcher HERE
Join the Movers and Shapers Facebook Community HERE
Follow on Twitter @ShapersPodcast HERE

 

ABOUT WENDY OSSERMAN:  CHOREOGRAPHER AND DANCER

Wendy Osserman has always taken the politically personally with humor that is the flip side of anxiety. Her work reflects the inner worlds of the dancers and herself as well as the larger world. She has been performing and choreographing since the early 1960s. She formed Wendy Osserman Dance Company in 1976 after appearing as a soloist with Kei Takei, Frances Alenikoff and Valerie Bettis. For four decades, the company has toured and performed in New York City in varied venues including the Delacorte Theater with the New York Dance Festival in 1979, Symphony Space, Dance Theater Workshop, Danspace at St. Mark’s Church, Joyce Soho and Theater for the New City. Her many works include thirteen evening-length pieces, over fifteen commissioned works and two dance festivals produced on the island of Paros, Greece. Osserman was featured in Dancing Divas at La MaMa and in Women in Dance at 92Y: History in the Making Anniversary Special.

Wendy Osserman Dance Company (WODC) has toured nationally and internationally. The company’s mission is to collaborate with artists in all media on the creation of performances and workshops with and for all ages. It seeks to develop new vocabularies and to utilize alternative spaces for performance. WODC has collaborated with celebrated Czech singer, musician and composer Iva Bittova; composer/musician Skip La Plante; Jordan McLean, Victor Lewis, and David Simons, among many others and visual artists including Sanya Kantarovsky, Annie Sailer, Sarah Olson, Ken Laser and Charles Hinman. Site specific work has been commissioned by The Chelsea Art Museum 2006-‘11, Friends of the Hudson River Park and Community Environmental Center, Solar One. The company has been presented throughout NYC by the Vision Festival at Symphony Space, the 92nd Street Y, Dixon Place, Theatre Within at the Beacon Theater for 10th Anniversary of John Lennon Tribute, Luminatra at Baryshnikov Art Center, Joyce Soho, Dancenow/NYC/DancemOpolitan at Joe’s Pub, and Dancenow/NYC/TheFestival.

MORE ON WENDY OSSERMAN

PODCAST INTERVIEW LINKS

92nd Street YMCA

Ballet Russes

Bonnie Bird

West Side Story

Martha Graham School

Noguchi “Embattled Garden” Sets

Limon Technique

Betty Jones

Daniel Nagrin and Helen Tamiris

Valerie Bettis

Eliot Feld

Donald McKayle

Smith College

Martha Myers

Labanotation

Alice Condadina

Parthenon

Robert Ellis Dunn

The Yard

Kei Takei

NYU Gallatin School of Individualized Study

Iva Bittova

Chelsea Art Museum

Theater for the New City

Helen Simoneau

Authentic Movement, Nancy Zendora

Mark Morris – Dance for Parkinson’s Disease

Podcast produced by: The Moving Architects
Interviewer: Erin Carlisle Norton
Intro Music: “Singing Distance” by Elijah Aaron

Movers & Shapers Podcast: Samuel Pott

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MOVERS & SHAPERS:

Samuel Pott portrait Tracey LuzPodcast No.21 – Samuel Pott

“Starring New Jersey” Special Podcast Series

Release Date: April 5, 2016

Download Episode on iTunes and Rate Us HERE
Download Episode on Stitcher HERE
Join the Movers and Shapers Facebook Community HERE
Follow on Twitter @ShapersPodcast HERE

 

ABOUT SAMUEL POTT

Samuel Pott founded Nimbus Dance Works in 2005 drawing on a deeply held personal belief in the value that the arts can play in bringing people and communities together. Under his direction the company has grown each year adding performances, new repertory, and new community initiatives and projects. Known for creating structured and musical dances that evoke deep-rooted emotional connection, Mr. Pott’s choreography has been shown in New York City and throughout New Jersey, New England and California at venues including the Joyce Theater and the Jacob’s Pillow Dance Festival. He has collaborated with many esteemed contemporary artists including composers Daniel Bernard Roumain, Samson Young, Judd Greenstein, Aaron Parks and visual artists Nicola Lopez and Trudy Miller.

A member of the New Jersey State Arts Council’s Arts in Education roster of artists, he has taught dance at the elementary, high school, college, and professional levels and has served on the faculty of Rutgers University’s Mason Gross School of the Arts. In 2012 he founded the School of Nimbus Dance Works, grounded in the belief that dance can serve as a meeting point for diverse communities for growth towards common values and goals. The School makes high quality dance training available to youth throughout Jersey City regardless of financial background. Mr. Pott founded and direets NimbusPresents, a Jersey City performance series featuring local and national perfomers. In 2008 Mr. Pott received a Choreography Fellowship from the New Jersey State Council on the Arts and was named a Distinguished Teaching Artist by the council in 2012. Mr. Pott was one of 25 arts leaders nationally selected for the Association of Performing Arts Presenters’ (APAP) inaugural Leadership Fellows Program. He serves on the board of directors of Dance New Jersey and on the Arts Advisory Council for the Jersey City Board of Education.

Mr. Pott began his dance training at the University of California, Berkeley, and completed his Bachelor of Arts degree in 1999. As a soloist with the Martha Graham Dance Company, his repertoire included such iconic roles as the Husbandman in Appalachian Spring, Agamemnon in Clyemnestra, and Adam in Embattled Garden. In addition to working with the Martha Graham Dance Company, Mr. Pott has performed as a lead dancer with many ballet and contemporary companies including American Repertory Ballet, the Oakland Ballet, the Savage Jazz Dance Company. Featured roles are from a wide range of dance styles and choreographers including works by Marius Petipa, Martha Graham, Jose Limon, Isadora Duncan, Twyla Tharp, Lar Lubovitch, and theater directors Robert Wilson and Ann Bogart among many others.

 

MORE ON SAMUEL:

PODCAST INTERVIEW LINKS

Blood Memory: An Autobiography: Martha Graham

UC Berkley

Cunningham Dance Technique

Marnie Thomas

David Wood

Christopher Dolder

Savage Dance Company

Richard Gibson

Martha Graham Center – legal battles

Oakland Ballet

Feldenkrais Method

American Repertory Ballet

Denise Vale

Martha Graham Dance Company

“Dance to Learn”

This special podcast series “Starring NJ” was made possible by a grant from the New Jersey Council for the Humanities, a state partner of the National Endowment for the Humanities.  Any views, findings, conclusions or recommendations expressed in this podcast do not necessarily represent those of the National Endowment for the Humanities or the New Jersey Council for the Humanities.  Special thanks to Charmaine Warren for serving as the Humanities Scholar for this series.

Podcast produced by: The Moving Architects
Interviewer: Erin Carlisle Norton
Intro Music: “Singing Distance” by Elijah Aaron

Movers & Shapers Podcast: Sharron Miller

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MOVERS & SHAPERS:SharronM_HeadShot_color

Podcast No.20 – Sharron Miller

“Starring New Jersey” Special Podcast Series

Release Date: March 22, 2016

Download Episode on iTunes and Rate Us HERE
Download Episode on Stitcher HERE
Join the Movers and Shapers Facebook Community HERE
Follow on Twitter @ShapersPodcast HERE

ABOUT SHARRON MILLER

Sharron Miller is Founder/Director of Sharron Miller’s Academy for the Performing Arts (SMAPA), a 501c3 arts education organization whose mission is to provide comprehensive, inclusive developmental training in dance and related theater arts to children, teens, adults and seniors. She is a former Alvin Ailey American Dance Theater soloist and veteran of seven Broadway shows. She has appeared on television, film, and hundreds of radio and television commercials. She is a member of Actors’ Equity Association, Screen Actors Guild, and the American Federation of Television and Radio Artists.

Ms. Miller, who attended The Juilliard School, is committed to enriching the lives of young people through the arts. Her early training began with the late Fred Danieli, founder and director of the Garden State Ballet, who taught her the value of self-discipline, self-respect, and a commitment to excellence. Ms. Miller’s educational focus is to foster, nurture and encourage skill building, self-discipline, self-esteem and creativity in every student.

She served on the faculty of The Renaissance Middle School in Montclair, NJ for 13 years where SMAPA provided the dance and drama program for 6th, 7th and 8th grade students during the school day. This program was developed with multi-year leadership support from the Geraldine R. Dodge Foundation, praised by the State of New Jersey as an “outstanding arts education model,” and eventually fully-funded by the Montclair Board of Education. Ms. Miller has also served on the faculty of Montclair Kimberley Academy, Far Brook School, and has been affiliated with the New Jersey Performing Arts Center as an arts-in-education consultant/partner. She currently serves on their Community Engagement Advisory Committee.

SMAPA operates year-round in four divisions: Preschool (ages 2-5), Junior (ages 6-11), Prep (ages 12-18) and Adult/Senior. All classes operate on a semester basis (excluding Adult Division) and are developmentally geared based on skill and chronological age. Classes are offered in many disciplines including ballet, modern, jazz, tap, West African, Flamenco, floor barre, Pilates/Yoga, contemporary modern jazz and hip-hop. Children progress from one level to the next when skills requirements have been mastered. There are no recitals but rather parent observations twice a year. SMAPA is not a competition school but rather an arts education organization where the joy of learning is encouraged.

At SMAPA, Ms. Miller (along with a faculty of thirty teaching artists) continues to train hundreds of students yearly, but also continues to develop her arts enrichment programs and community outreach, which includes: Working in partnership with Quitman Street Community School in Newark, NJ, providing a yearlong dance residency for K-8 students; providing an 8-week dance residency over the past five years to 1st through 5th grade students in ten elementary school in East Orange; creating a 6-week full-day arts program, “Prime Time Summer Arts”, for children ages 6-14 in association with the Montclair Department of Recreation and Cultural Affairs (MRCA); and adapting Prime Time Summer Arts to a half-day Preschool Program operating in nine 1-week, theme-based sessions for children ages 3-5.

SMAPA receives generous financial support from foundations including the Geraldine R. Dodge Foundation, Victoria Foundation, the Stone Foundation of New Jersey, the Turrell Fund, Hyde & Watson, Investors Bank, The National Endowment for the Arts and the Newark Arts Council.

Ms. Miller resides in Montclair, New Jersey with her daughter, Jaimie.

MORE ON SHARRON:

PODCAST INTERVIEW LINKS

Misty Copeland

Garden State Ballet

Penny Frank

Joyce Trissler 

Alvin Ailey American Dance Theater

Lena Horne 

Donald McKayle

“Don’t Bother Me I Can’t Cope”

Chalvar Monteiro

This special podcast series “Starring NJ” was made possible by a grant from the New Jersey Council for the Humanities, a state partner of the National Endowment for the Humanities.  Any views, findings, conclusions or recommendations expressed in this podcast do not necessarily represent those of the National Endowment for the Humanities or the New Jersey Council for the Humanities.  Special thanks to Charmaine Warren for serving as the Humanities Scholar for this series.

Podcast produced by: The Moving Architects
Interviewer: Erin Carlisle Norton
Intro Music: “Singing Distance” by Elijah Aaron

Movers & Shapers Podcast: Maxine Lyle

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MOVERS & SHAPERS:Soul Steps #2Anthony Barboza

Podcast No.19 – MAXINE LYLE

“Starring New Jersey” Special Podcast Series

Release Date: March 8, 2016

Download Episode on iTunes and Rate Us HERE
Download Episode on Stitcher HERE
Join the Movers and Shapers Facebook Community HERE
Follow on Twitter @ShapersPodcast HERE

 

ABOUT MAXINE LYLE

Maxine Lyle has been a choreographer, teaching artist and producer for fifteen years, specializing in African-American step dance. She began stepping at the age of seven in her hometown of Newark, New Jersey and has been performing ever since. She holds a Bachelor of Arts degree in English from Williams College, where she co-founded Sankofa, the Williams College step team, now in its twentieth season under the Williams College Dance Department. She holds a Master of Fine Arts degree in Theatrical Management and Producing from Columbia University School of the Arts. She has produced several plays and has also directed a youth theatre ensemble in Newark with the All Stars Project of New Jersey. In addition to her theatrical projects, she remains committed to arts education. She developed and implemented one of the first full-time, accredited step dance curriculums in the country, at Harlem Prep Middle School where she taught step for three years. She has also engaged in numerous arts education programming, combining step and other art forms through organizations such as Girls Leadership and The Leadership Program.

ABOUT SOUL STEPS

Soul Steps speaks the language of rhythm.  Founded in 2005 by Maxine Lyle, the company is based in New Jersey and New York and showcases the African-American dance tradition known as “stepping” (not to be confused with Irish step dance!). Their mission is to expand the presence of stepping throughout the world while creating avenues for cultural exchange and awareness among diverse communities. Step started among African-American fraternities and sororities on college campuses as a means of unity and self-expression, and has deep roots in the migrant labor culture of South African gold mines. For close to a century, step dancers have used their bodies as percussive instruments to create a new physical language that inspires, celebrates and forges community. Soul Steps brings this explosive art form to the stage in a high-energy performance that combines percussive movement, hip-hop rhythms, and call and response. Their performances, residencies, and educational programming are suitable for all ages.

Soul Steps brings step everywhere! From school workshops in Brooklyn, to partnerships with U.S. Embassies throughout the world, to Paris Fashion Week, to a cameo in an indie rock band video, they embrace every opportunity to expose diverse communities to the magnetism and dynamic power of step. Credits include a feature in the Diesel Jogg Jeans promotional video, “The A-Z of Dance;” the historical Rick Owens runway show during Paris Fashion Week 2013;  2012 Abok I Ngoma International Dance Festival (U.S. Embassy partnership, Cameroon); Joyce SoHo, Every Little Step, a collaborative piece performed with Dance Theatre of Ireland (New York); Stepping in Remembrance, (U.S. Embassy commissioned September 11th commemorative piece, Dublin); Skena Up International Film and Theater Festival (U.S. Embassy partnership, Kosovo); New York Musical Theatre Festival (2007 and 2011); Jacob’s Pillow Inside/Out Series; and a nationally aired MTVU promotional video. Soul Steps was named the 2010 Association for the Promotion of Campus Activities Cultural Artist of the year and was described in the New York Times as giving a performance that “excels in cross rhythms” (November 23, 2011, Joyce SoHo).

MORE ON MAXINE:

PODCAST INTERVIEW LINKS

Step Afrika!

Upward Bound 

Prudential Young Entrepreneur Program

Dance Theater of Ireland

Rick Owens Paris Runway Show

This special podcast series “Starring NJ” was made possible by a grant from the New Jersey Council for the Humanities, a state partner of the National Endowment for the Humanities.  Any views, findings, conclusions or recommendations expressed in this podcast do not necessarily represent those of the National Endowment for the Humanities or the New Jersey Council for the Humanities.  Special thanks to Charmaine Warren for serving as the Humanities Scholar for this series.

Podcast produced by: The Moving Architects
Interviewer: Erin Carlisle Norton
Intro Music: “Singing Distance” by Elijah Aaron

Movers & Shapers Podcast: Jeff Friedman

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MOVERS & SHAPERS:muscle memory
Podcast No.18 – JEFF FRIEDMAN
“Starring New Jersey” Special Podcast Series

Release Date: February 23, 2016

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ABOUT JEFF FRIEDMAN

Jeff Friedman is a dancer, choreographer, dance documentarian and dance studies professor at Rutgers University-New Brunswick. He was born in 1956 and grew up surrounded by corn fields in the rural suburbs of Bucks County, Pennsylvania, near Doylestown. He began studying classical ballet at Bucks County Ballet with Carl Sandemeyer, a retired New York City Ballet dancer. Jeff graduated from Central Bucks-West High School in 1974 and studied architecture at Cornell University for 3 years, where he began seriously studying contemporary dance before he ran away with a dance company from New York City. After studying on scholarship with choreographer Twyla Tharp and company members in 1978, he then completed his 5-year professional degree in architecture from the University of Oregon in 1979. Jeff immediately moved to San Francisco, California where he joined the Oberlin Dance Collective as their first performing, non-choreographing collective member. Now known as ODC/San Francisco, Jeff performed and toured for 10 years with the company throughout the United States, including Alaska and Hawai’i, and internationally in Australia, at the 1988 World’s Fair; throughout Southeast Asia, on a State Department “soft-diplomacy” tour; and throughout the Soviet Union, in October-November 1989, while the Berlin Wall was coming down in Germany. He also performed in two avant-garde opera productions of Gluck’s Orfeo and Phillip Glass’ Satyagraha at the San Francisco, Los Angeles and Santa Fe Opera Companies. While based in San Francisco, Jeff also created several performance works, including multi-disciplinarily site-specific performance works, with photographers, videographers and composers as part of his POUNDING THE PAVEMENT site-specific dance festival; group modern dance works; and a solo dance concert created at a Djerassi Foundation Artist Residency that toured the United States as LOCUS Solo Dance, from 1990-1997.

In 1988, Jeff was part of a small group of dance artists responding to their community’s losses due to HIV-AIDS epidemic in the San Francisco Bay Area. Based on training from the Regional Oral History Office at University of California-Berkeley, he created LEGACY, an oral history project that records, collects, and makes accessible the personal and professional histories of Bay Area dance community members who are at-risk, due to their status as elders, to life-threatening illness; and cultural invisibility to the mainstream historical record. LEGACY’s methodology focuses on audio- and video-recorded unstructured oral history interviews in the long-form life-history format. LEGACY’s collection include recordings, edited transcripts, finding and contextual tools, as well as associated collections of personal papers of nearly 100 San Francisco Bay Area dance performers, choreographers, educators, administrators and critics, the largest collection of its kind outside of New York City’s Public Library for the Performing Arts oral history collections. For his pioneering work in dance oral history, Jeff has received the Isadora Duncan, James V. Mink and   awards for his service to the Bay Area dance community, and the oral history communities of the Southwest and Mid-Atlantic regions, respectively.

Based on Jeff’s performance, choreography and oral history careers, he created a new documentary-based dance-text solo work titled Muscle Memory (1992) using excerpts from LEGACY’s collection. While working as dance technique instructor at Sonoma State University, Jeff received a residency fellowship at Columbia College Dance Center in Chicago where he consolidated his interdisciplinary approach to documentary-based choreography. In 1996, he applied to and was accepted by the University of California-Riverside’s doctoral program in Dance History and Theory where he studied the theory, method and practice of oral history; phenomenological philosophy; Futurist photography; and Laban Movement Analysis. These study areas integrated into Jeff’s dissertation titled A Labanalysis of Dancers Life-histories toward Existential Awareness, earning his Ph.D in 2003. Jeff was appointed Assistant Professor at the Dance Department at Rutgers University-New Brunswick the same year.

Jeff’s publications include book chapters and peer-reviewed journal articles in the U.S., Canada, the UK, Spain, Germany, where he was a Senior Fulbright Teaching and Research Fellow in Frankfurt in 2010; Korea, and New Zealand, where he was Visiting Lecturer at Auckland University’s Dance Programme in 2007. Jeff has lectured at Stanford, Columbia, Brown Universities, and the University of California-Berkeley, among others in the U.S.; Kent, Bournemouth, Surrey, and Coventry Universities in the UK; Giessen, Leipzig, and the University of Performing Arts in Frankfurt, Germany; University of Warsaw and Charles University, Prague; Hebrew University, in Jerusalem, Israel; Yildiz Technical University in Istanbul, Turkey; and Victoria and Auckland Universities in New Zealand. Jeff teaches oral history training workshops nationally and internationally, including 20 years at the San Francisco Museum of Performance & Design; Texas Woman’s University; Simmons College, as Allen Smith Fellow in 2014; and for the Korea Society for Dance Documentation in Seoul. He is on the editorial board of the Korean Society for Dance Research Journal and Dance Chronicle (US) and was elected to a three-year term on the the Governing Council for the National Oral History Society (2013-2015). Jeff is also commissioned to record oral histories for the School of American Ballet Oral History Project in New York City.

At Rutgers University, Jeff teaches undergraduate dance writing and dance history courses and has taught dance technique, improvisation, performance skills, and dance composition and choreography. He also has taught oral history and performance and the history of interdisciplinary for various honors programs and the new Honors College. In 2014, he was appointed Graduate Director for the incoming MFA in Dance degree, beginning in Winter 2017, where he has developed a curriculum focusing on the interdisciplinary integration of dance theory and practice and critical pedagogy. He will be teaching dance philosophy and aesthetics, the history of interdisciplinarity and special topics courses in dance documentation and reconstruction and oral history and performance. He elected to serve for a three-year term on the Rutgers University Faculty Council (2014-2016) and, in 2014, Jeff also created a Dance and Parkinson’s Program, with free classes in two sites in New Brunswick.

MORE ON JEFF:

PODCAST INTERVIEW LINKS

Bucks County, PA

Joffrey Ballet

Richard Colton

Minnesota Dance Theatre

Harvey Milk

Oberlin Dance Collective (ODC)

Brenda Way, ODC

Erik Hawkins

Margaret Jenkins Dance Company

Legacy Project

Joe Goode

David Gere

Leslie Farlow

San Francisco Museum of Performance and Design

Movement Pattern Analysis – Warren Lamb

Eve Gentry

This special podcast series “Starring NJ” was made possible by a grant from the New Jersey Council for the Humanities, a state partner of the National Endowment for the Humanities.  Any views, findings, conclusions or recommendations expressed in this podcast do not necessarily represent those of the National Endowment for the Humanities or the New Jersey Council for the Humanities.

Podcast produced by: The Moving Architects
Interviewer: Erin Carlisle Norton
Intro Music: “Singing Distance” by Elijah Aaron