Podcast

Heather Bryce is the artistic director and founder of Bryce Dance Company.  Heather started the company in 2006 in Boston, MA.  Heather is a two time recipient of The Emerging Artist Award (Green Street Studios, Cambridge, MA), a recipient of the Creation Grant through the VT Arts Council, the Vermont Artists Space Grant through the Flynn Center for the Performing Arts, an Alumni Arts Award through Goddard College, and a Ben & Jerry’s Foundation Community Action Grant.  Heather’s work has been presented at various venues across New England, the tri-state area, and beyond. In addition to running the company, Heather currently works as a Teaching Artist and administrator for Alvin Ailey American Dance Theater and a Teaching Artist for Lincoln Center Education, The Performing Arts Center at SUNY Purchase, and The Center for Arts Education. She holds her MFA in Interdisciplinary Arts from Goddard College.

CONNECT

Website: Bryce Dance Company

PODCAST INTERVIEW LINKS

Tom Pearson, recently named among the 100 most influential people in Brooklyn culture by Brooklyn Magazine, is an artist that works primarily in visual and written media. He is best known for his movement-based theater works, including the long-running immersive theater hits Then She Fell and The Grand Paradise. He is the co-founder/co-artistic director of Third Rail Projects and the director of the Global Performance Studio, an international program for cultural listening and exchange. He has received two New York Dance and Performance (BESSIE) awards, a Ford Foundation and National Museum of the American Indian IllumiNation award for his work in native theater, The Kingsbury and Cody Harris Allen writing awards, as well as numerous commissions from Lincoln Center, Lower Manhattan Cultural Council, La Mama E.T.C., and Danspace Project, among many others. Tom holds an MA in Performance Studies from New York University. All of Pearson’s works draw from depth psychology, archetypal studies, and deep dream practices as well as the medicinal and ceremonial traditions of his native Tsalagi (Eastern Band Cherokee) heritage and its focus on right relationship and story as medicine. His first book, The Sandpiper’s Spell is published in spring 2018 by Buen Parto Press, and will be available in soft cover from on Amazon and E-Book on Kindle, iBook, Kobo, and Nook. More information at: thirdrailprojects.com | globalperformancestudio.com | buenparto.com

Bringing the dynamic freedom of American modern dance together with the elegant splendor of Asian art, the Nai-Ni Chen Dance Company is one of the most visible Asian American dance companies in America. Ms. Chen’s unique choreography transports audiences beyond cultural boundaries to the common ground between tradition and innovation, rising beyond form into the spirit.

One of the few Asian American professional dance company with an extensive season of touring and performing around the world. Nai-Ni Chen has also developed Arts in Education residency programs in school districts to bring culture and arts into educational settings. It’s colorful and engaging programs and workshops has reached over one million young audience in NY/NJ area. The Company is currently in-residence at New Jersey City University and has been a Principle Affiliate of the New Jersey Performing Arts Center since its inception.

The Nai-Ni Chen Dance Company has the honor of having received more than fifteen awards from the National Endowment for the Arts and numerous Citations of Excellence and grants from the New Jersey State Council on the Arts. Other funders include the Geraldine R. Dodge Foundation; Mid-Atlantic Arts Foundation; the Hyde and Watson Foundation; Horizon Foundation, The Irving and Laurie Blanchard Foundation; the E.J. Grassman Trust; PSE&G; the Lower Manhattan Cultural Council; Verizon; Sony; New Music/USA; Chase Manhattan Bank; the Mid-Atlantic Arts Foundation and others.

Renee Chatelain is a native of Baton Rouge and a graduate of Louisiana State University, holding both a B.A. Degree in History and a Juris Doctor. She is the President and CEO of the Arts Council of Greater Baton Rouge. Her career as a dancer includes performing with the Eglevsky Ballet in New York, Delta Festival Ballet of New Orleans, Tampa Ballet, and American Dance Machine in New York. Renee has been a guest teacher for Iceland Dance Theater in Reykjavik, Iceland, and at Cornell University in Ithaca, New York, at Hunter College in New York City, and at Southeastern Louisiana University. She serves on the Advisory Board of the American Mural Project, supporting internationally known visual artist Ellen Griesedieck, and was selected to participate in South Arts Dance Touring Initiative. She is a co-founder of Mid City Dance Project, Inc. She served as Executive Director at the Manship Theatre at Shaw Center for the Arts in Baton Rouge, LA. Prior to her position at Manship Theatre, she founded the dance programs for two independent schools in Baton Rouge.   Presently, she serves on the board of the Foundation for East Baton Rouge School System and the Shaw Center for the Arts among others.

Most recently, she has been on faculty at the Ballet Festival of India in Mumbai and has been a guest speaker at the Women in Dance Conference at New York University. She has served as a panelist at the Association of Performing Arts Presenters in New York, at the Women in Dance Leadership Conference in 2015, and has served as a community coach for the City of Mandeville Louisiana, through the Louisiana Department of Culture and Tourism’s Creative Placemaking Initiative. She was also recognized with the National Guild for Community Arts Education Milestone Award in 2017.

Renee is a member of the Louisiana State Bar Association, The Baton Rouge Bar Association, and has been a panelist for the Louisiana Cultural Economic Summit.   She is a recipient of Baton Rouge Area Foundation’s John W. Barton, Sr. Award for Excellence in Non-profit Management, the Baton Rouge Business Report’s Most Influential Women in Business, the Unsung Hero’s Award by Louisiana State University’s Office of Multi-Cultural Affairs, the Esprit de Femme Award by the LSU Women’s Center, and has been recognized by the Louisiana State Senate for her contribution to African Americans in Louisiana through the Arts. She has twice been awarded The President’s Award by the Baton Rouge Bar Association, was a 2005 finalist for the Blue Cross/Blue Shield Angel Award, and was recognized by the Louisiana Association for Non-Profit Organization as a Louisiana Heroine. Renee considers her passion project the creation and staging of a dance theatre work, The Fading Line: A Commemoration of the 1953 Baton Rouge Bus Boycott, and is grateful to all of those who played a role – past and present. She is most grateful for the love of her life and constant source of inspiration, her husband, Kevin Lyle.

Blakeley White-McGuire is a New York-based dance performer, maker and teacher and holds an MFA in Interdisciplinary Arts from Goddard College. Critically acclaimed as a Principal dancer with the Martha Graham Dance Company (2002 – 2016, 2017) she has embodied the most iconic roles of 20th century Modern dance to international critical acclaim. As a leading practitioner of Graham’s technique, she materially contributed to three historical re-imaginings Ardent Song, Imperial Gesture, and Notes on a Voyage.

Simultaneously and throughout her career, Blakeley has created with and performed in new works by 21st Century Contemporary artists including Jacquelyn Buglisi, Jayoung Chung, Martha Clarke, Sean Curran, Sue deBeer, Nacho Duato, Daniel Ezralow, Larry Kegwin, Michael Klien and Steve Volk, Lar Lubovitch, Richard Move, Bulareyaung Pagarlava, Marta Renzi, Pascal Rioult, Luca Veggetti, Robert Wilson and Anne Bogart SITI/ Company.

As a dance-maker, Blakeley’s original works have been presented by The Museum of Arts and Design, Downtown Dance Festival, Dancers Responding to Aids, New Ballet Ensemble, Jacob’s Pillow’s INSIDE/ OUT, Baton Rouge Ballet Theater, Roxbury Arts Group, RAW, the Moving Beauty series at Williamsburg Movement and Arts Center and the Martha Graham Dance Company in a collaboration for Graham II. Her writings expressing the 21st Century Dancer experience have been published by The Dance Enthusiast, The Huffington Post, Dance Magazine, Performance Research Journal, U.K. and most recently in A Life in Dance: A Practical Guide.

Blakeley has served on the faculties of the Ailey School, the New School, The Actors’ Studio and New York City’s famed LaGuardia High School for the Performing Arts as a teacher of technique, repertory and improvisation. A faculty member of the Martha Graham Center since 2002, she is also a coach and official register staging Martha Graham’s repertory internationally, most recently for Paul Taylor’s American Modern Dance and Ballet Vlaanderen. Blakeley continues to create, collaborate, research, lecture and perform. A passionate teacher, she leads masterclasses and residencies for companies, universities, studios and festivals worldwide.