Saturday, December 1, 2018 / 8pm
HATCH Presenting Series
Jennifer Muller/The Works Studio
131 W 24th St, New York NY.
More info: www.jmtw.org/hatch
Saturday, December 1, 2018 / 8pm
HATCH Presenting Series
Jennifer Muller/The Works Studio
131 W 24th St, New York NY.
More info: www.jmtw.org/hatch
JANET EILBER has been Artistic Director of the Martha Graham Dance Company since 2005. Her direction has focused on creating new forms of audience access to the Graham masterworks. These initiatives include designing contextual programming, educational and community partnerships, use of new media, commissions of new works and creative events such as the “Lamentation Variations”. She has also reconstructed lost Graham works, remixed Graham choreography and created new staging in the Graham style for theater/dance productions of “The Bacchae” and “Prometheus Bound”. Earlier in her career, as a principal dancer with the Martha Graham Dance Company, Ms. Eilber worked closely with Martha Graham. She danced many of Graham’s greatest roles, had roles created for her by Graham, and was directed by Graham in most of the major roles of the repertoire. She soloed at the White House, was partnered by Rudolf Nureyev, starred in three segments of Dance in America, and has since taught, lectured, and directed Graham ballets internationally. Apart from her work with Graham, Eilber has performed in films, on television and on Broadway directed by such greats as Agnes deMille and Bob Fosse and has received four Lester Horton Awards for her reconstruction and performance of seminal American modern dance. She has served as Director of Arts Education for the Dana Foundation, guiding the Foundation’s support for Teaching Artist training and contributing regularly to its arts education publications. Eilber is a Trustee Emeritus of the Interlochen Center for the Arts. She is married to screenwriter/director John Warren, with whom she has two daughters, Madeline and Eva.
Podcast produced by: The Moving Architects
Interviewer: Erin Carlisle Norton
Theme Music: Adam Crawley whose music can be found at djplie.com
Pat Catterson’s parents were a ballroom dancing team and her paternal grandfather a Vaudevillian tap dancer. Born in Indianapolis, she has been a NYC based artist for fifty years presenting her first full evening at Judson Church in 1970. Since then, she has choreographed 110 works, receiving many accolades including a 2011 Solomon R. Guggenheim Choreography Fellowship and multiple Choreography Fellowships from the National Endowment for the Arts, the CAPS Grants and the Harkness Foundation, as well as a Fulbright Commission. A dedicated educator, she has been on the faculties at Sarah Lawrence College, UCLA, the Juilliard School, and the Merce Cunningham Studio, among many others. For twenty years she taught her own tap classes in NYC and has been a guest artist all over the US and in Europe, most recently at the Kalamata Dance Festival in Greece and at Centre national de danse contemporaine in Angers France. Her writing has been published in Ballet Review, JOPERD, Attitude Magazine, Dance Magazine Online, the Getty Iris, and the Dance Research Journal. She first performed Yvonne Rainer’s work in 1969 and since 1999 has worked as her dancer, rehearsal assistant, as well as custodian of Rainer’s early works, touring nationally and internationally. In the past year she staged three Rainer works on the Stephen Petronio Company and this last May staged three others on four dancers for the Dublin Dance Festival at the Irish Museum of Modern Art. She earned her BA in psychology and philosophy from Northwestern University and her MFA in Interdisciplinary Arts from Goddard College. Her latest dance works have been “Artifice,” a consideration of the act of performing performed by eight dancers and five surprise performers premeiered at Triskelion, “NOW. “, an installation/performance/event that paired her eight NYC dancers with those in nine other countries dancing live together via Skype projection, and her current work, “Project 111: 12 by 6,” a series of solos for six different dancers created from the same base of twelve movement phrases. Rather than in a live performance, it will be “premiered” online this summer via various platforms.
Podcast produced by: The Moving Architects
Interviewer: Erin Carlisle Norton
Theme Music: Adam Crawley whose music can be found at djplie.com
Dr. Martha Eddy, RSMT, CMA, DEP is an author, researcher and professor who continues to teach and perform dance. She has held positions in either the Kinesiology or the Dance departments of Columbia, New York University, Princeton and San Francisco State University over the past 35 years. She earned her Masters in Applied Physiology and her doctorate in Movement Science from the Department of BioBehavioral Studies at Teachers College, Columbia University. She is best known for her lectures on and research in overcoming the side-effects to cancer treatment through dance and exercise, perceptual-motor development, and embodied peace-making and for developing her own system of Somatic Education entitled Dynamic Embodiment – an ISMETA approved professional training in Somatic Movement Education and Therapy. She currently offers her curricula in the low-residency (intensive format) Masters programs at Montclair State University (greater NYC), University of North Carolina- Greensboro, and St Mary’s College (San Francisco Bay Area), as well as offering workshops in Europe and South America.
She has written chapters for numerous books and has published dozens of peer reviewed articles, as well as served on peer review panels in the areas of Dance Science, Dance Medicine, Movement Psychotherapy, Motor Learning, Movement Notation and Movement Analysis. She was the In 2017 recipient of the National Dance Education Organization’s Outstanding Leadership award. The work she has developed with her non-profit organization Moving For Life has been featured on national radio and television in the USA extensively. She frequently invited internationally to deliver key note addresses. Her book Mindful Movement the Evolution of the Somatic Arts and Conscious Action came out in 2016 and is available through Chicago University Press, Intellect Books and Amazon.
Podcast produced by: The Moving Architects
Interviewer: Erin Carlisle Norton
Theme Music: Adam Crawley whose music can be found at djplie.com
Tuesday, November 20, 2018 / 7:00pm
Movement Research at Edens Expressway
537 Broadway 4th Floor
New York, NY 10012
Suggested Donation: $3
More info: www.movementresearch.org
A program of non-curated shared showings of experimentation and work-in-progress by artists at all stages of their development. The events are centered around an audience discussion moderated by a current or former Movement Research Artist-in-Residence, where we experiment with different feedback methods to support and inform the artists’ process.
Moderator: Jasmine Hearn, with DanceAction, The Moving Architects, and Anh Vo
Saturday-Sunday, October 12-13, 2018 / 7:30pm
Spark Dance Forum
The Mark O’Donnell Theater at the Actors Fund Arts Center
16o Schermerhorn Street
Brooklyn, NY 11201
More info: www.sparkdanceforum.com
Saturday, September 29, 2018 / 1:00-4:00pm
Liberty Hall Museum at Kean University
1003 Morris Avenue
Union, NJ 07083
Admission: $20.00 per adult, $15.00 per senior, $12.00 per child
Purchase Tickets: HERE
Buggé Ballet and Liberty Hall Museum at Kean University join forces for the second Liberty Hall Dance Festival! Spend an afternoon walking along the beautiful museum grounds enjoying site-specific professional dance performances inspired by moments in history. Participating dance companies and choreographers include: Angel Kaba, Armada Dance Company, Bryce Dance Company, Buggé Ballet, Carolyn Dorfman Dance, Cranford High School/Emily Donahue, Dance Visions NY, Heather Harrington/Academy for Performing Arts, The Kennedy Dancers Repertory Company, Luminarium Dance Company, MoustacheCat Dance, The Moving Architects, Schoen Movement Company, Undertow Dance, and Yamini Kalluri.
photo: Amber Star Merkens
Lauren Grant, honored with a New York Dance and Performance “Bessie” award for her career with the Mark Morris Dance Group, has danced with MMDG since 1996, appearing in over 60 of Morris’ works. In addition to staging Morris’ repertory on his company and at universities, Grant teaches ballet and modern technique for numerous professional dance companies and schools around the globe and is an adjunct faculty member at Montclair State University. Her writing has been published in the journal Dance Education in Practice, Ballet Review, Dance Magazine, and InfiniteBody. She also serves as a panelist for the New York State Council on the Arts. Grant earned her MFA in Dance from MSU (where she was a member of the Alpha Epsilon Lambda Honor Society) and her BFA in Dance from NYU’s Tisch School of the Arts. She is a recipient of the prestigious American Association of University Women Career Development Grant, the Sono Osato Scholarship for Graduate Studies, and the Caroline Newhouse Grant—all in support of her scholarly pursuits. Originally from Highland Park, IL, she lives in Brooklyn, NY with her husband David Leventhal (former MMDG dancer and current Dance for PD® Program Director) and their son, born in 2012.
Podcast produced by: The Moving Architects
Interviewer: Erin Carlisle Norton
Theme Music: Adam Crawley whose music can be found at djplie.com
Douglas Dunn has been dancing and making dances for fifty years. His lineage includes: an outdoor California upbringing full with self-invented, physically challenging games; a wide range of athletic pursuits; years of ballet classes; a summer at Jacob’s Pillow; five years as a member of the Merce Cunningham Dance Company; and work with Yvonne Rainer leading to the founding and six-year career of Grand Union, the daring, no-rehearsal collective that included Steve Paxton, David Gordon, Barbary Dilley, Nancy Green, Yvonne Rainer and Trisha Brown. Douglas Dunn first presented his work in Manhattan in 1971. After a number of years of solo and duet work, he formed Douglas Dunn + Dancers in 1978. He likes to collaborate with poets, painters, sculptors, musicians, composers and playwrights to offer a multifaceted theatrical experience. He has set pieces for many companies besides his own, including the Paris Opera Ballet, and has composed numerous outdoor and site-specific events. He is renowned as a teacher of Technique and of Open Structures, with a long tenure at NYU’s Steinhardt School of Culture, Education, and Human Development. Awards include a Guggenheim, a Bessie, and Chevalier in the Ordres des Arts et des Lettres. He receives fellowships from the National Endowment for the Arts, the New York State Council on the Arts, the Department of Cultural Affairs, the John Simon Guggenheim Memorial Foundation, the New York Foundation for the Arts, the Lila Wallace-Reader’s Digest Fund, the Foundation for Contemporary Performance Arts, and the Creative Arts Public Service Program, among others. Douglas produces Salons at his studio in Soho and is Board Member Emeritus of Danspace Project/St. Mark’s Church since 2005. His collected writing, Dancer Out of Sight, is available at Amazon.com.
Podcast produced by: The Moving Architects
Interviewer: Erin Carlisle Norton
Theme Music: Adam Crawley whose music can be found at djplie.com