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MSP 202: Jill Sifah Sigman

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MSP 202: Jill Sifah Sigman

Release Date: 6.12.26

TO DOWNLOAD PODCAST OR LISTEN:

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Authenticity in Motion: Jill Sifah Sigman on Dance, Props, and Purpose

Episode 202: Show Notes. 

From her early experiences of finding freedom in ballet classes, to becoming a devoted bunhead, to her modern dance studies at Princeton, and her current work in choreography and movement artistry, Jill Sifah Sigman has a storied creative legacy. During this episode, we dive deep into the origins of the themes that continue to inform her work today. We also unpack the layered meaning of working with waste and donated objects to build structures she uses in her performances, how this differs from props and sets, and how this deeply meaningful practice shapes her work. Next, we explore the tension between the artifice we often associate with performance and the authentic expression she has always valued most about her dance practice. Building on this, we dive into what it might look like to strike a balance between work that is accessible and work that resonates with audiences in a more meaningful way. Join us for a truly expansive conversation with today’s inspiring guest.

Key Points From This Episode:

    • Jill Sifah Sigman’s journey to dance, from early ballet to choreography and movement artistry. 
    • How her studies shaped her relationship to archetypes, philosophy, and movement. 
    • Starting her company in 1998 after graduating from Princeton. 
    • Her journey to making and understanding site-specific work.
    • Starting to work with waste in 2007, before it began to inform the message of her work. 
    • Meaningful opportunities to repurpose waste into structures used in her dance productions.
    • Her journey to working with foraged plants. 
    • Distinguishing between the artifice and authenticity of performance. 
    • How plants, movement, and clay came to shape her project, Reseeding. 
    • Exploring insatiability, hoarding, and the antidote of soil. 
    • The power of art-making in facilitating connection. 
    • Navigating the tension between creating recognizable work and embracing experimentation.
    • How her full-time care of her father informed her work and her response to the present.

Jill Sifah Sigman is a queer interdisciplinary artist and agent of change whose work exists at the intersection of dance, visual art, and social practice. Based in New York City, she founded jill sigman/thinkdance in 1998 to think about pressing social issues through the body. In 2016, she developed Body Politic, a program of workshops, trainings, and performance laboratories to ask salient political questions somatically, and in 2022 she initiated a Social Justice Movement Lab for artist-activists. Working with things we discard such as waste and weedy plants, Sigman helps us to re-build our relationships with the natural world and each other in meaningful and empathic ways. Sigman has created community by building site-specific structures out of waste, dancing in public spaces, food sharing, and tea serving. She is the author of Ten Huts, published by Wesleyan University Press (2017), about choreographing huts out of garbage in different parts of the world. Sigman has been the first Gibney Dance Community Action Artist in Residence; a Choreographic Fellow at the Maggie Allesee National Center for Choreography; a Distinguished Guest Artist at the University of San Francisco Performing Arts & Social Justice program; a resident artist at Movement Research, Guapamacátaro Interdisciplinary Residency in Art and Ecology (Mexico), The Kri Foundation (India), and The Rauschenberg Residency; a Choreographic Fellow at the Tisch Initiative for Creative Research at NYU; and a Creative Campus Fellow at Wesleyan University. She was born and raised on occupied Lunaape Canarsee homeland, also known as south Brooklyn.

 

Links Mentioned in Today’s Episode:

Podcast produced by: The Moving Architects

Interviewer: Erin Carlisle Norton

MSP 201: Rym Kechacha

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MSP 201: Rym Kechacha

Release Date: 5.28.26

TO DOWNLOAD PODCAST OR LISTEN:

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From the Stage to the Page with Rym Kechacha

Episode 201: Show Notes. 

Sometimes you can get everything you want as a dancer, only to discover the reality is quite different from what you imagined it would be. In this episode, author and former dancer, Rym Kechacha, shares how that realization shaped her own journey, from early ballet training in London to dancing professionally with Northern Ballet, where touring life was both joyful and intensely demanding. She reflects on what it felt like to end her career as a dancer earlier than expected, and how that ending opened the door to a new creative identity. Rym traces her path into teaching, studying creative writing, and eventually publishing fiction, shaped by a lifelong love of books and fantasy. Our conversation explores her latest novel, The Apple and the Pearl, a ballet-inspired fantasy that captures both the beauty and cruelty of the stage world, blending realism with folkloric and fantastical elements. Thoughtful and candid about reinvention, artistry, and creative freedom, Rym offers her insights on what happens when one dream ends and another begins. Listen in for a rich discussion on dance, writing, and the stories that carry us forward!

Key Points From This Episode:

  • Rym’s upbringing in London and her love of dance from a young age.

  • How she persuaded her parents to let her attend ballet school at age 16.

  • The demanding daily schedule of life at Central School of Ballet.

  • Figuring out her plans after Ballet School and how her love of story ballets guided her.

  • How she joined Northern Ballet and what it was like touring with the company.

  • The serious impact of arts funding cuts and austerity measures in 2010.

  • Losing her place at Northern Ballet: why it was both sad and liberating.

  • What Rym did next in her career: travelling, au pairing, and becoming a teacher.

  • How she rediscovered writing, earned her creative writing MA, and published her first novel.

  • Reflections on the challenges of publishing and how ballet prepares you for rejection.

  • Her experience writing her latest book, The Apple and The Pearl, and how it relates to ballet.

  • A closer look at her upcoming novels, from Algerian history to London folklore and fantasy.

Rym Kechacha is a writer and teacher. After her dance career, she began to write fiction and is now the author of three novels. Her first novel, Dark River, tells the story of two mothers dealing with the effects of climate change, eight thousand years apart. Her second novel, To Catch a Moon, was published in 2022 and is a fantasy based on the paintings of Spanish Surrealist Remedios Varo. Her third novel, The Apple and the Pearl, is published in 2026 and is set over the course of a single day in the life of a magical touring ballet company. She lives in Norwich, UK with her family, too many books and an unruly garden.

 

Links Mentioned in Today’s Episode:

Podcast produced by: The Moving Architects

Interviewer: Erin Carlisle Norton

MSP 200: Connecting with the World Through Dance with Kitty McNamee

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MSP 200: Kitty McNamee

Release Date: 5.7.26

TO DOWNLOAD PODCAST OR LISTEN:

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Connecting with the World Through Dance with Kitty McNamee

Episode 200: Show Notes. 

So much of what validates the human experience is the ability to collaborate and connect with other people in the world, and today’s guest has managed to do that through dance! Kitty McNamee joins us today to talk about her impressive career and how she found success despite limitations. Kitty was first drawn to the escapism element of musical movies and the wordless expression of dance, and although she started dancing very late, she was accepted to Houston’s performing arts high school. In this conversation, you’ll hear all about how starting dance at the age of 16 made her even more passionate because she really had to fight for success. Kitty goes on to talk about how she started choreographing and touches on her choreographic voice and style before sharing the importance of community and relationships in this industry. Kitty even tells us about the projects she is most proud of and teases what we can look forward to seeing from her in the future. From dance films to documentaries to pop-up performances by LA artists, Kitty’s career is truly an amalgamation of different art forms and a testimony to the power of collaboration with other artists. This is an episode you don’t want to miss, so be sure to press play now!

Key Points From This Episode:

  • A brief introduction to today’s guest, Kitty McNamee. 
  • Where she’s from and how she became interested in dance. 
  • Kitty’s experience at Houston’s performing arts high school. 
  • Her physical limitations and why she thought she should be an actress.  
  • Choreographing for Open Fist and starting her own dance company. 
  • Kitty describes her choreographic voice, movement themes, and influences. 
  • How her career progressed and how community and relationships kept her going. 
  • Her transition into working in dance films and how she got into that. 
  • Kitty tells us about her latest documentary project, Citizen, and her involvement. 
  • What LA POPS UP is and what inspired Kitty to create it. 
  • Her work with Laura Marling and what it’s been like to work in different kinds of spaces. 
  • Kitty shares her favorite dance projects and what she is most proud of. 
  • What we can look forward to from Kitty’s career in the future.

 

Links Mentioned in Today’s Episode:

Podcast produced by: The Moving Architects

Interviewer: Erin Carlisle Norton

MSP 199: Bhumi B Patel

By Podcast

MSP 199: Bhumi B Patel

Release Date: 4.23.26

TO DOWNLOAD PODCAST OR LISTEN:

    • Apple: Subscribe, Listen, Rate Us HERE

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Balancing Dance and Academia with Bhumi B Patel

Episode 199: Show Notes 

Dance is a beautiful medium to honor the past while building community in the present. Today, we are joined by Bhumi Patel of Patel Dance Works to discuss her illustrious career. In this episode, you’ll hear all about Bhumi’s life, her creative interests, her college education at a women’s liberal arts institution, her love for constant learning and education, and so much more! We delve into her MFA experience and working through injury before discussing her dissertation on how queer of color performance is informed by improvisational practice and the ‘ghosts’ of the past. She even tells us about getting her Ph.D. during COVID, what her research was about, and how she managed to finish it in just four years. Lastly, Bhumi tells us how she plans on expanding her dissertation work into a book and what else we can expect from her in the future. From her master’s thesis encompassing the upheaval after World War Two, to her deep love for dance writing, Bhumi’s talents, interests, and achievements are fascinating! This is a conversation you don’t want to miss, so be sure to tune in now!

Key Points From This Episode:

  • Introducing Bhumi Patel to the show. 
  • How she became interested in dance, and why she chose a women’s college. 
  • What inspired Bhumi to pursue a career in dance during her undergrad. 
  • Bhumi tells us about her master’s thesis on Anna Sokolow’s Rooms. 
  • What kept drawing Bhumi back into an academic setting. 
  • Bhumi’s experience doing her MFA at Mills College and her focus on grief. 
  • Her dissertation on how queer of color performance is informed by improvisation. 
  • How she advocated for change through writing and starting her dance company. 
  • Bhumi tells us about the content of her Ph.D. and her determination to finish it fast. 
  • What she plans to do with her research and her plans for the future.
Dr. Bhumi B Patel is a queer home-seeker and science fiction choreographer, director of pateldanceworks, and scholar/writer. In its purest form, she creates performances as a love letter to her ancestors. Bhumi earned her PhD in Dance Studies from The Ohio State University, her MFA in Dance from Mills College, and her MA in American Dance Studies from Florida State University. Patel is a member of Dancing Around Race, founded by Gerald Casel, and engages with curatorial practices for both performances and written publications. Patel’s work has been presented at Movement Research (NY), The Asia Pacific Dance Festival (Manoa, Hawai’i), Urban Arts Space (Columbus, OH), Human Resources (LA), CounterPulse (SF), Joe Goode Annex (SF), RoundAntennae (Berkeley), SAFEhouse Arts (SF), max10 (Santa Cruz), RAWdance’s Concept Series (SF), The San Francisco International Arts Festival, Berkeley Finnish Hall, PUSHfest (SF), Shawl-Anderson’s Queering Dance Festival (Berkeley), and Deborah Slater’s Studio 210 Residency (SF). Bhumi has been a Lead Artist with SAFEhouse Arts, an Emerging Arts Professionals Fellow, and a Women of Color in the Arts Leadership through Mentorship Fellow. Her research has been presented at Dance Studies Association, Performance Studies international, the Asia Pacific Dance Festival Conference, the National Women’s Studies Association, the Popular Culture Association, the International Conference on Movement and Computing and other symposia. Patel has been published in Performance Research Journal, Refractions Journal, the San Francisco Chronicle, Life as a Modern Dancer, Contact Quarterly, and InDance. Her co-authored essay, “Locating Popular Dance and Dance in Popular Culture” and case study essays “Gender Is a Drag: Performing Hybridity on RuPaul’s Drag Race’s Maxi Challenge ‘Prancing with the Queens’” and “‘To Exist is to Survive Unfair Choices’: The OA and Queer Acts of Protest” appear in Dance in US Popular Culture edited By Jennifer Atkins. Patel has a forthcoming essay on performing futurisms in The Routledge Companion to Performance and Technology. Patel serves as Editorial Assistant for Choreographic Practices. Bhumi was a 2022-2023 Dance/USA Fellow and a 2023 YBCA 100 Honoree. Making art is her way of tracing the deeply woven connections in which we live–past, present, future–as a way to build communities of nourishment and care.
Patel Dance Works

 

Links Mentioned in Today’s Episode:

 

Podcast produced by: The Moving Architects

Interviewer: Erin Carlisle Norton

Dance Film Screening In-person and on Zoom “Where She Once Stood” (NJ)

By Events

Film Screening In-Person & On Zoom

“Where She Once Stood”

The Women of the Crane House & Historic YWCA Alive Through Dance

Thursday, May 21, 2026 @ 7pm EST

Cinema 505 at Montclair Film
505 Bloomfield Avenue
Montclair, NJ 07042
General Admission and Zoom Tickets: Viewcy

The Moving Architects invite you to a special dance film event screening of Where She Once Stood: The Women of the Crane House & Historic YWCA Alive Through Dance. Created in partnership with the Montclair History Center, the work transforms the Crane House & Historic YWCA into a living historical site where movement and music make visible women’s lives including that of the Crane family, the enslaved women and domestic workers who were part of the household, and the Black women, girls, and boarders connected to the building during its time as a segregated YWCA.
Originally presented as a live, site-immersive dance performance on site with eight sold-out shows, the project is now translated to film. The film experience brings the work into focus in new ways, with the evening event including a short live dance performance, the screening, and a panel discussion that offers insight into the creative process and the documented history behind the site. The panel will be moderated by Gigi Naglak (New Jersey Council for the Humanities) and includes Erin Carlisle Norton (The Moving Architects), Angelica Diggs (Montclair History Center), and artists from the project.  The evening concludes with a reception to continue the conversation. Not available in-person? You can also participate virtually via Zoom. Join us!

Watch our Where She Once Stood segment on State of the Arts/PBS!

MSP 198: Winifred Haun

By Podcast

MSP 198: Winifred Haun

Release Date: 4.9.26

TO DOWNLOAD PODCAST OR LISTEN:

    • Apple: Subscribe, Listen, Rate Us HERE

    • Spotify: Follow and Listen HERE

    • Any Smartphone Podcast app: Subscribe and Listen

Starting with the Heart with Winifred Haun

Episode 198: Show Notes.

If you want long-term success in the dance industry, you need to be very clear on why you’re doing it and who it’s for above anything else! In this conversation, you’ll hear all about Winifred’s introduction to dance, how her craft has evolved over the years, some of the incredible dance practitioners she has learned from, how she decided she wanted to dance for her career, and what it was like to start her company, Winifred Haun and Dancers. We delve into the importance of balancing unique ideas with appealing entertainment for audiences before discussing how her company has evolved over the years and how Winifred continues to create work. Winifred goes on to remind us of the power and importance of collaboration in the dance space and shares why she loves mentoring people so much. We even hear about some of the incredible projects she’s been part of, including her recurring Community Dancer Project, what making site-specific dance work is like, and what the future holds for her. To hear all this and some pearls of wisdom from this illustrious guest, be sure to tune in now!

Key Points From This Episode:

  • Welcoming Winifred Haun to this episode of the show.
  • Winifred tells us about her dance history and how she became interested in dancing. 
  • What it was like to balance being a dance apprentice and working other jobs. 
  • Starting her own company, Winifred Haun and Dancers, and what her focus is. 
  • How Winifred Haun and Dancers has grown over the years, and where they rehearse.
  • The importance of collaboration and mentorship in the dance industry. 
  • Winifred tells us about her Community Dancer Project and other projects she’s done.  
  • Our guest tells us what it’s like to make dance pieces for specific spaces. 
  • What the future holds for Winifred Haun and Dancers and some advice for young creators.

Winifred Haun is the founder, choreographer and artistic director of her own contemporary dance company, Winifred Haun & Dancers.  Since the 1990’s, Wini has created over 70 new dance works, including one full length ballet.  She has received numerous awards and accolades for her work, including a 2022 3Arts Award and a 2016 MacArthur Foundation Award.

Wini performed and toured with the Joseph Holmes Chicago Dance Theatre, under the direction of Joseph Holmes and Randy Duncan, from 1985 to 1992. She has conducted numerous residencies and workshops, locally, nationally and internationally. Wini has taught modern dance and ballet at Hubbard St. Dance Center, Joffrey Academy, Chicago Academy for the Arts, Legere Dance Center, Joel Hall Center, and many other prestigious Chicago area dance studios. She and her husband, physicist Stephen Parke, have three daughters, and one granddaughter.

WinifredHaun.org

 

Links Mentioned in Today’s Episode:

 

Podcast produced by: The Moving Architects

Interviewer: Erin Carlisle Norton

MSP 197: David Parker

By Podcast

MSP 197: David Parker

Release Date: 3.19.26

TO DOWNLOAD PODCAST OR LISTEN:

    • Apple: Subscribe, Listen, Rate Us HERE

    • Spotify: Follow and Listen HERE

    • Any Smartphone Podcast app: Subscribe and Listen

Making Dance Performance ‘Fun’ with David Parker

Episode 197: Show Notes.

In this episode of Movers & Shapers, we welcome the founder of the Bang Group, David Parker, to talk about his incredible career and how his life and dancing are entwined. Tuning in, you’ll hear all about David’s life, how a film about the Golden Age of entertainment sparked his love for dance, the training he received, and so much more! David tells us all about his time in New York, his love for tap dancing, and what it was like to experience ‘the Dance Boom’. We delve into his decision to start choreographing later in life and how his sexual awakening informed his work before discussing how he combined dancing and acting in his choreography. David goes on to tell us about how choreography became his passion and why he still sees the importance of being able to dance when he wants to, even in his 60s. We even talk about some of the challenges he’s faced in his career and touch on some of the highlights of his career. Finally, our guest tells us what he is working on now. To hear all this, and so much more, be sure to press play now!

Key Points From This Episode:

  • Welcoming David Parker to the show. 
  • Where David’s from and how he started dancing. 
  • His time at Bard College and why he decided to leave. 
  • David touches on his love for tap, in particular, and his rhythmic brain. 
  • His experience of ‘the Dance Boom’ in New York. 
  • Why David only started choreographing in his late 20s.
  • Creating work that conveys meaning: acting through dance. 
  • David tells us about the personal revelation he had about his sexuality. 
  • Why it is very important for him to be able to dance as well as create. 
  • Some of the trials and peak moments he’s been through in his career. 
  • What David is working on at the moment.

The Bang Group is a rhythm-driven, theatrical dance company based in New York City which spans contemporary and percussive forms.  The company, founded and directed by Jeffrey Kazin and David Parker in 1995 tours widely throughout North America and Europe and is best-known for its comic/subversive, neo-vaudeville Nutcracker entitled Nut/Cracked, now in its 23rd season.  The Bang Group performs regularly in New York City at Arts On Site, 92NY, New York Live Arts, Danspace Project, The Flea, Symphony Space, and many other venues.  TBG has a second home in Boston which it developed through sustained partnerships with Summer Stages Dance, The Institute of Contemporary Art and The Dance Complex where its Dance Now Boston initiative is in its 12th season.  It has also enjoyed 9 seasons at The Yard on Martha’s Vineyard  and 16 years in residence at The West End Theater on Manhattan’s Upper West Side.  As a teacher of Dance Composition, Parker has served on the faculties of The Juilliard School, Princeton University, Barnard College, Hunter College, Marymount Manhattan College, The Alvin Ailey School and SUNY Purchase.  He has also taught several times for The Bates Dance Festival and served as an adjudicator for ACDA.  Parker continues to perform in his own work and the work of other choreographers including Catherine Tharin, Sara Hook, Christopher Williams, Doug Elkins, Kelli Edwards, Sara Rudner, and as a guest artist with The New York Theatre Ballet.  In addition to creating repertory for The Bang Group, he has created over 60 works for modern and ballet companies, colleges and universities, dance festivals, and soloists.  He has written about dance for Dance Magazine, The Brooklyn Rail and other independent publications. Parker is a 2013 Guggenheim Fellow in choreography.  www.thebanggroup.com

Links Mentioned in Today’s Episode:

Interviewer: Erin Carlisle Norton

MSP 196: Jessica Gaynor

By Podcast

MSP 196: Jessica Gaynor

Release Date: 3.5.26

TO DOWNLOAD PODCAST OR LISTEN:

    • Apple: Subscribe, Listen, Rate Us HERE

    • Spotify: Follow and Listen HERE

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Shaping a Life in Dance with Jessica Gaynor

Episode 192: Show Notes.

A lifelong devotion to movement can shape not just an artist’s career, but an entire community. Today, choreographer, educator, and Artistic Director Jessica Gaynor shares how her path began in gymnastics before finding her true calling in modern dance. From her early days studying with the legendary Alice Teirstein to becoming a mentor and leader in her own right, Jessica’s story is one of passion, resilience, and creativity. In our conversation, Jessica reflects on the freedom and self-expression she discovered through improvisation, her formative years studying dance at Brown and CalArts, and the drive that led her to form her own company back in New York. She recalls milestone performances, collaborations with composers, and the challenges of sustaining a company while teaching full-time. Today, her work as Artistic Director of the Young Dancemakers Company continues to empower teens to create original work in partnership with professional composers, carrying forward the legacy of her mentor. Tune in to hear how Jessica has built a multifaceted career in dance, and why she remains committed to creating, teaching, and inspiring the next generation.

Key Points From This Episode:

  • Jessica’s upbringing in NYC and her shift from gymnastics to ballet and modern dance.
  • How she found mentorship with Alice Teirstein at the Fieldston School.
  • Her love of dance as a form of freedom, self-expression, and community through movement.
  • Early influences on her dance career: Pilobolus and Bill T. Jones/Arnie Zane Company.
  • Studying at Brown, while doing an academic major, repertory works, choreography, and more.
  • Graduate training at CalArts, focusing on choreography, performance, and collaboration.
  • What it was like returning to NYC and forming a company with fellow dancers.
  • Creating evening-length works at Triskelion Arts and touring performances.
  • Collaborative works with composers, exploring structure and form.
  • Joining the Young Dancemakers Company (YDC) and becoming Artistic Director.
  • Leading YDC through the pandemic with Zoom dance films and outdoor shows.
  • Jessica’s love of teaching and helping teens create original work.
  • Rediscovering performance and collaborating with her musician husband.
  • Reflections on highlights and challenges while sustaining a career in dance.

Jessica Gaynor is a choreographer, performer and teacher, as well as Artistic Director of Jessica Gaynor Dance and the Young Dancemakers Company. Hailed for her “risk-laden” (DIY Dancer) choreography and “sophisticated approach to pure dance,” (The New Yorker), Jessica’s work utilizes kinetic physicality, intricate patterning, and formal structures in an exploration of the complexities of human experience.

Jessica has created more than forty works for her company and for schools and universities around the world. Her work has been performed at venues such as Jacob’s Pillow Inside/Out, The Skirball Center/NYU, Danspace Project @ St. Mark’s Church, Ailey Citigroup Theater, The Kitchen, Peridance, Triskelion Arts, Dance Theater Workshop, The 92Y, Dixon Place, Brooklyn Arts Exchange, CPR, Hudson Guild Theater, LAKE Studios, Kühlspot, Errant Sounds, PAS Berlin, Interior to Beings Festival, Uferstudios, Berlin Dance Institute and many more.

Jessica’s repertory has been set on students at Brown University, Grand Canyon University, Berlin Dance Institute, the Fieldston School, the Brearley School and the Young Dancemakers Company. She has taught workshops at Peridance Capezio Center, Gibney Dance Center, Tanzfabrik, PAUL Studios and Insight Dance, was a guest choreographer for Amalgamate Dance Company’s Guest Artist Showcase, and directed the dance program at The Brearley School from 2007-2014.

Jessica holds an MFA in Dance Performance and Choreography from California Institute of the Arts, and a BA from Brown University, where upon graduation she received the Weston Award for excellence in dance. Recent grants include an O’Donnell-Green Music and Dance Foundation Grant, two New Music/USA Commissions, a Mertz Gilmore Late Stage Production Stipend and multiple Andrew W. Mellon Space Subsidies. Jessica Gaynor Dance was a Gotham Arts Exchange Emerging Artist in 2010 and a member of Pentacle’s (DanceWorks, Inc.) Gallery Roster from 2013-2015.

Since 2019, Jessica has proudly served as Artistic Director of the Young Dancemakers Company. Founded in 1996 by Alice Teirstein, Young Dancemakers Company (YDC) is rooted in the belief that teenagers have something essential to say to the world, and that they can say it through dance. YDC is a unique, tuition-free summer dance ensemble of NYC teens dedicated to creating their own original choreography and performing it in free touring concerts city-wide, for audiences of up to 2000 individuals each season. Company members, selected annually by audition, are drawn from throughout NYC public high schools. Through daily intensive training and rehearsal sessions, the company creates original choreography based on meaningful personal and social themes.

Young Dancemakers Company is made possible by the generous support of: Jody and John Arnhold | Arnhold Foundation, the Harkness Foundation for Dance, the Emily Davie and Joseph S. Kornfeld Foundation, the Richenthal Foundation, the Teirstein Family in honor of Alice, New York State Council on the Arts with the support of the Governor and the New York State Legislature, the Ethical Culture Fieldston School, and individual contributors.

Links Mentioned in Today’s Episode:

Interviewer: Erin Carlisle Norton

MSP 195: Remembering Kathy Dunn Hamrick

By Podcast

MSP 195: Remembering Kathy Dunn Hamrick

Release Date: 2.19.26

TO DOWNLOAD PODCAST OR LISTEN:

    • Apple: Subscribe, Listen, Rate Us HERE

    • Spotify: Follow and Listen HERE

    • Any Smartphone Podcast app: Subscribe and Listen

With a heavy heart, KDH Dance Company announced the passing of their fierce founder and dearest friend, Kathy Dunn Hamrick. Kathy has had an enormous impact, with ripples throughout Austin and beyond, as she is loved by so many. In her final weeks, she was receiving 30-40 texts a day and numerous visits from friends, family, students, colleagues, collaborators, and neighbors whom she had made a lasting impression on. The organization is heartbroken, but committed to honoring Kathy and her legacy for years to come. Read more in the KDH Dance Company newsletter.

Creating a Modern Dance Culture and Community with Kathy Dunn Hamrick

Episode 195: Show Notes.

Establishing a modern dance company is no easy feat, but today’s guest managed to create a successful organization and build a wonderful modern dance community in Austin, Texas. Today on Movers & Shapers, we welcome Kathy Dunn Hamrick, the Artistic Director of Kathy Dunn Hamrick Dance, to discuss her work and how she helps dance grow in Austin. Kathy found a love for dance at a young age and quickly decided that she needed to dedicate her life to it. In this episode, you’ll hear all about Kathy’s life and career, her decision to teach, and how her desire to be ‘in charge’ led her to start her company. We discuss the difficulty of balancing a family and career, her gorgeous piece choreographed on platforms on a lake, and starting the Austin Dance Festival. We delve into Kathy’s recent cancer diagnosis and how her community has showed up for her, and Kathy opens up about next steps of sharing her knowledge with the next generation of dancers and choreographers. Finally, we walk through Kathy’s career highlights and struggles. To hear all this and more, press play now!

Key Points From This Episode:

  • We delve into the who behind Kathy Dunn Hamrick and learn about how she got into dance.
  • The wonderful mentors Kathy has had and how they shaped her career.
  • What Kathy loves about dance and how she constantly stays interested in it.
  • Kathy tells us about her move to New York and why she decided to get her MFA.
  • Transitioning into the role of dance teacher and founding namesake company; Kathy Dunn Hamrick Dance.
  • How Kathy balances her family and business while keeping her career interesting for herself.
  • The incredible dance piece that was choreographed by Kathy and performed on a lake.
  • Kathy outlines all of the things her dance company does.
  • The modern dance culture in Austin and why Kathy started her dance festival.
  • How COVID affected Kathy’s business and festival.
  • Kathy’s diagnosis with stage four cancer and what’s next for her and the organization.
  • Why finances have always been Kathy’s biggest business struggle.
  • The highlights of Kathy’s career and the wonderful dance community she’s built.

“From a very young age I knew I wanted a family and I knew I wanted to dance and I’ve achieved both of those [things] so I’m living my best life honestly.” — Kathy Dunn Hamrick

Kathy Dunn Hamrick is the Artistic Director of Kathy Dunn Hamrick Dance Company, an award-winning modern dance company based in Austin, Texas. Kathy has happily committed her professional life to dancing, teaching, choreographing, presenting, mentoring, andadvocating for modern dance and dancemakers. She has created over 50 dances that have been described as “strikingly athletic and wonderfully expressive,” “heavenly,” “smart” and “masterly,” and garnered numerous recognitions for the dance company, including Austin Critics Table awards for Best Choreographer, Best Dance Concert, Best Dancer, Best Duet, Best Lighting Design, and Best Ensemble. The company has performed throughout Texas as well asin New York City, Chicago, San Francisco, and Toronto, and her “Lake Dances” were featuredin Arts + Culture Texas, Arts Journal, and Dance Magazine. Kathy holds a BA in Modern Dancefrom The University of Texas and an MFA in Performance, and Choreography from Florida State University. She has taught at Florida State, Stephen F. Austin State University, St.Edwards University, The University of Texas, and Austin Community College. She currentlyteaches modern dance for both recreational and professional dancers at Café Dance; providesprofessional development for educators; directs artist residencies for high schools anduniversities; and served as a mentor for Austin Emerging Arts Leaders. In 2015, Kathy founded Austin Dance Festival, an annual modern dance event that hosts professional danceshowcases, master classes, and a Youth Edition that includes non-competitive showcases forteens 13-18, a Pro Chat Q&A, and a college fair. In 2018, Kathy was inducted into the AustinArts Hall of Fame as “a model for the artist who approaches each project in a spirit of experimentation and reinvention.”

 

Connect with Kathy Dunn Hamrick

Kathy Dunn Hamrick Dance

Austin Dance Festival

 

Links Mentioned in Today’s Episode:

Podcast produced by: The Moving Architects
Interviewer: Erin Carlisle Norton

The Moving Architects Community Dance Workshop (NJ)

By Events

The Moving Architects Community Dance Workshop
return to your love of dance and performance

Sundays, March 1, 8, 15, 22 @ 1:45pm-3:45pm
Performance Showing: March 22 @ 4pm
Location: Yoga Mechanics, 107 Forest Street Montclair, NJ 07042
Cost: $225
Register Here: Ticketleap

This Community Dance Workshop is for adults who want an opportunity to dance and perform again! Designed for female-identifying adults of all ages, this program welcomes individuals who have a strong dance foundation from experiences dancing in high school, college, and/or professionally. Through a 4-week series, we will create community, rehearse, and dance together, culminating in a community dance performance. Come as you are!

Workshop Format includes:

Community Conversation
:
Discuss movement qualities and patterns, and how they translate and show up in your dancing and your life.

Somatic Warm-Up
:
Arrive in your body and deepen awareness through guided somatic movement practices.

Choreography & Performance:
Learn, embody, and perform choreography together.

List of Workshop Q & A’s: HERE