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MSP 188: Sara Veale

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PODCAST 188: Sara Veale

Release Date: 11.5.25

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Attuning to the Beauty of Passion with Sara Veale

Episode 188: Show Notes

The incredible beauty of passion lies in the relentless dedication of one’s entire being, a force that radiates outward to inspire and elevate others. Today on the Movers & Shapers podcast, Erin is joined by author and dance critic Sara Veale. A North Carolina native, dancer turned dance writer, currently living in London, UK. Tune into the conversation as they dance into what inspired Sara into a lifelong journey in dance, how dance became an integral part of her identity, and what sparked her journey to shift into one that centers around her writing. They discuss her transition from the US to London, UK, the differences in the dance world, and she unpacks the responsibility of writing dance reviews and why she ultimately finds the Stars system to be fundamentally flawed. They then dive into an in-depth discussion on her book, Wild Grace: The Untamed Women of Modern Dance, breaking down what inspired the writing, how she approached the structure of the book, incorporating advice from her editor, delving deeply into the research, and the timeline from beginning to end. She shares how the book ultimately led her to a new attuning of the very beauty of passion itself! Be sure not to miss out on all this, and as always, much more. Thanks for listening, enjoy!

Key Points From This Episode:

  • Sara reveals how a two-year-old girl’s fascination with movement blossomed into a lifelong journey in dance.
  • Sara explains what about dance made it such an integral part of her identity.
  • The journey of her writing career.
  • How her future was shaping up during her time at college.
  • Sara unpacks how she got into writing as a dance critic. 
  • We discuss her transition from the US to London, UK, and how it shaped her dance writing.
  • Finding her voice in the dance critic world.
  • Why you’ve got to be reading when you want to be writing, according to Sara.
  • The responsibility behind writing dance reviews. 
  • She shares why she believes the idea of the Stars system, when writing reviews, is fundamentally flawed. 
  • We delve into a discussion on her book, Wild Grace: The Untamed Women of Modern Dance.
  • How she approached the structure of her book, finding the women, taking advice from her editor, and making tough decisions.
  • Sara explains the research journey she undertook for her book and the women she writes about.
  • She breaks down the timeline from the beginning to the end of getting her book published.
  • How writing her book had a profound personal impact, attuning her to the very beauty of passion itself.
  • Sara talks about the creation of the book’s abstract cover.
  • What Sara has planned next: books, sabbaticals, and connecting with her family. 
  • We talk about the shortage of non-academic, or mainstream, dance writing.

ABOUT Sara

Sara Veale is an American writer and editor based in London, with a focus on dance, feminism and design. She has been a freelance dance critic since 2013, covering a range of international artists and companies through reviews, interviews and essays. Her dance writing has appeared in The Observer, The Spectator, Harper’s Bazaar, Fjord Review, Gramophone, Auditorium, DanceTabs and more. 

Sara is a member of the Dance Critics Circle, managing editor of the Future Spaces Foundation, and a former editor of Review 31. Her book, Wild Grace: The Untamed Women of Modern Dance, was published by Faber in 2025 (Faber US: spring 2026).

photo by Martina Ferrera

 

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MSP 187: Ann Carlson

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PODCAST 187: Ann Carlson

Release Date: 10.23.25

TO DOWNLOAD PODCAST OR LISTEN:

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The Curiosity That Moves Us with Ann Carlson

Episode 189: Show Notes. 

At the heart of every great artistic work is the exploration of curiosity and a commitment to the process of creation. Today on Movers & Shapers, Ann Carlson joins us to discuss her illustrious career in interdisciplinary arts and shares the deep curiosity she possesses about movement, meaning, and the human experience, with work borrowing from the disciplines of dance and performance as well as visual, conceptual, and social art practices.  In this conversation, Ann reflects on how she first discovered her love of dance, how working with Meredith Monk and exploring performance art shaped her creativity, and the thriving performance scenes in NYC in the 90s that opened doors for experimentation. She shares the inspiration behind her work with animals, the reality of supporting herself financially as an artist, and how she navigated motherhood and her dance career. She also dives into the delicate marriage between process and product in creation before discussing her dance project, The Symphonic Body. Finally, Ann reveals what is piquing her interest today and shares a glimpse of what the future will hold for her in her career. Thanks for listening! 

Key Points From This Episode:

  • A brief overview of today’s guest, Ann Carlson, and how she found her love of dance.  
  • How performance art and working with Meredith Monk inspired Ann’s own creations. 
  • Cross-connecting dance with other performance scenes during her time in NYC. 
  • What inspired Ann’s animal series and how she managed to support herself. 
  • How Ann’s dance career pivoted when she started a family.
  • The beautiful amalgamation of process and product in dance creation.
  • What Ann learned about art from the poet Allen Ginsberg. 
  • Ann looks back on her career and some of the most meaningful projects she did. 
  • Ann tells us what she is curious about today and what her next project will be.

ABOUT Ann

Ann Carlson is an interdisciplinary artist whose work borrows from the disciplines of dance and performance as well as visual, conceptual and social art practices. Carlson’s work takes the form of solo performance, large-scale site-specific projects, ensemble-stage based dances and performance video.

Ann’s work as a whole is engaged with flattening traditional hierarchies, and throwing off the guardrails of who gets access to participate and be immersed in the contemporary dance / art experience. Carlson often works in a series format, loosely organized into interspecies performance collaborations, dance / performance works made with and performed by people gathered together by a common profession, activity or shared passion and large scale site specific performance installations, commissioned works for dance companies, galleries, museums, orchestras and collaborative performance videos. Carlson works from a “ world as studio” aesthetic, cultivating and curating the elements of everyday life as a way of exploring how to be together, how to be alone, in a world bound by and blended with the more-than-human.

Carlson is the recipient of numerous awards for her artistic work. Her awards include a Creative Capital Award, a Doris Duke Award for Performing Artists, a National Dance Project Award, two American Masters awards, a USA Artist Fellowship, a Guggenheim Fellowship, a New York Foundation for the Arts Fellowship, a Fellowship from the Foundation for Contemporary Art, she is the recent recipient of a Fellowship from the Santa Monica Arts Council, multiple MapFund awards, numerous awards from the National Endowment for the Arts, and Ann was the first recipient of the Cal /Arts Alpert Award in dance.

Carlson has a long-time collaboration with visual artist Mary Ellen Strom. Their current project, SoS is a site adaptive work in response to flooding and rising sea levels around the globe. Carlson/Strom’s performance video work is held in the public collections of Fonds Regional D’Art Contemporaire, (FRAC) Marseilles, France, The Museum of Fine Arts Boston, The DeCordova Museum and Sculpture Park, Lincoln, MA, The Rose Museum, at Brandeiss University, Waltham, MA. Carlson / Strom was awarded The St. Garden’s Prize in sculpture for their video, “Four Parallel lines”.

Carlson has been a visiting faculty member at numerous universities, among them, Wesleyan, Stanford, and Princeton University and currently is thrilled to be an adjunct professor at UCLA’s Dept. of World, Arts, Culture and Dance. Carlson lives in Los Angeles, California and Bozeman, Montana.

photo: Michael Poole

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Podcast produced by: The Moving Architects
Interviewer: Erin Carlisle Norton

MSP 186: Erin Carlisle Norton

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PODCAST 186: Erin Carlisle Norton

Release Date: 4.14.25

TO DOWNLOAD PODCAST OR LISTEN:

    • Apple: Subscribe, Listen, Rate Us HERE

    • Spotify: Follow and Listen HERE

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Lessons from 10 Years of Dance Conversations with Erin Carlisle Norton

Episode 186: Show Notes

What does it take to lead a forward-thinking, boundary-pushing dance company in today’s ever-changing artistic landscape? After a decade of hosting Movers & Shapers and nearly 200 interviews, Erin Carlisle Norton, Artistic Director of The Moving Architects (TMA), steps into the guest seat for a special 10th-anniversary episode. In conversation with Megan Mizanty, Lead Editor of thINKingDANCE, Erin reflects on the podcast’s evolution, the inspiration behind it, and the guests and stories that have profoundly shaped her perspective. They explore the intersection of dance and community engagement, the role of adaptability and resilience in the arts, and how collaboration fuels creative growth. Erin also shares her dream interview guest, the unexpected insights and connections that have emerged from the podcast, and how these conversations have deepened her understanding of what it means to build a meaningful life in dance. Tune in for a behind-the-scenes look at the artistry, strategy, and vision that drive Movers & Shapers (and TMA) forward!

Key Points From This Episode:

  • An introduction to Erin and the story behind Movers & Shapers.
  • Insight into how the podcast has evolved over the past decade.
  • Memorable moments and some of Erin’s favorite guest interviews.
  • The biggest lessons Erin has learned from nearly 200 interviews.
  • Ways that the podcast has influenced Erin’s work and artistic vision
  • The importance of adaptability, resourcefulness, and resilience in the arts.
  • Exploring the intersection of dance, community engagement, and storytelling.
  • Reflections on recurring themes, shifting dance landscapes, and industry trends.
  • Unexpected connections and insights that have emerged from hosting the podcast.
  • Podcast hosts who have influenced Erin’s approach to storytelling.
  • The modern dance icon Erin dreams of interviewing and why.
  • What it means to build a rich life in dance and Erin’s advice for emerging artists.

ABOUT Erin

Erin Carlisle Norton is a dancer, choreographer, movement educator, and Artistic Director of The Moving Architects (TMA). Through TMA, she has performed, taught, and toured extensively—locally in New Jersey and New York City, presented by BAM Fisher, Arts on Site, SOPAC, and Triskelion Arts, among others; nationally, with recent projects in Kentucky, North Carolina, Minnesota, Pennsylvania, and Washington State; and internationally, in Morocco and Guatemala, as well as throughout Central Asia with the U.S. Department of State.

Creating dance works that explore feminist narratives and ideologies through collaborative and intergenerational processes, Erin has received numerous accolades, including two Fellowships in Choreography from the NJ State Council on the Arts. Her latest solo dance film, O my soul, was notably screened at Dance on Camera Film at Lincoln Center and the Seoul Dance Film Festival. Erin and TMA have been awarded creative residencies, including at Cedar Crest College/LVDE (PA), MOtiVE Brooklyn, Wilson College (PA), MANA Contemporary with Monira Foundation (Jersey City), Dancewave (Brooklyn), and Gardenship Experimental Film Residency (NJ). Praised by colleagues as “brave and bold and fearless” and by critics for a “fresh and daring aesthetic,” TMA’s 2025 projects include a new dance film set at Broadway Presbyterian Church (NYC) with support from Partners for Sacred Places and IndieSpace; the site-immersive Crane House & Historic YWCA Performance Project (NJ), which highlights the women who walked through the house from 1796-1965—including three generations of Cranes, enslaved people, and Irish servants, as well as its time as a YWCA for Black women—with support from the NJ Council for the Humanities; and Shapes of Movement, a transdisciplinary collaborative environmental project in Eastern KY, supported by the University of Kentucky.

 

Erin leads TMA initiatives offering pay-what-you-can classes and workshops for adult dancers and is the host and producer of TMA’s long-running popular interview podcast, Movers & Shapers: Dance Podcast. She holds a BFA and MFA in Dance from Ohio State University, is a Certified Laban Movement Analyst through Columbia College Chicago, and is a Certified Pilates instructor. Erin is also the former Executive Director of Dance New Jersey and owner of Align Pilates.

photo by: Whitney Browne

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Podcast produced by: The Moving Architects
Interviewer: Erin Carlisle Norton

MSP 185: Morgiana Celeste Varricchio & Samara Adell

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PODCAST 185: Morgiana Celeste Varricchio & 

Release Date: 1.20.25

TO DOWNLOAD PODCAST OR LISTEN:

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Building the Mosaic Dance Theatre Company with Morgiana Celeste Varricchio & Samara Adell

Episode 185: Show Notes

Every dance company has its own unique journey and characteristics, from how it was founded to the style of dance it specializes in. Today, we’re joined by the Producing Artistic Director and Founder of the Mosaic Dance Theatre Company (MDTC), Morgiana Celeste Varricchio, and the Artistic Director for Dance and Choreographer, Samara Adell. MDTC showcases the vibrant dance and folkloric heritage of the Mediterranean, spanning North Africa, the Middle East, and Southern Europe. Through captivating performances and educational initiatives, MDTC brings to life the region’s music, myths, and traditions, preserving and sharing its cultural tapestry. In this conversation, Morgiana and Samara share how they discovered their affinity for Middle Eastern dance, why they felt it wasn’t adequately represented in the US, and how they formed the Mosaic Dance Theatre Company. We discuss the many shows they’ve produced, including their upcoming show Visions of the Near East, how they manage their creative partnership, and the challenges of running a nonprofit. Tune in to hear the full scope of Morgiana and Samara’s beautiful journey, from becoming friends to running a thriving company together!

Key Points From This Episode:

  • An introduction to Morgiana Celeste Varricchio and her dance journey.
  • Moving to New York and the various jobs she worked while she was there.
  • How she became involved with Middle Eastern dance and met Samara Adell.
  • The success of Morgiana’s production of Ali Baba and the Forty Thieves.
  • What it was like to be part of the Lincoln Center Institute program.
  • How Morgiana and Samara founded the Mosaic Dance Theatre Company in 2005.
  • Their mission to ensure Middle Eastern Dance was properly represented in the US.
  • An overview of their productions, including their original show, Caravan to Cairo.
  • Their upcoming production, Visions of the Near East
  • Some background on Samara and how she became interested in dance.
  • Her time working in New York and the extensive global touring she did as a dancer.
  • The inner workings of Samara and Morgiana’s creative partnership.
  • How they prepare for, plan, rehearse, and arrange all the different elements of their shows.
  • Standout experiences during their two decades with Mosaic.

ABOUT Morgiana Celeste Varricchio

Morgiana Celeste Varricchio, Producing Artistic Director & Founder of Mosaic Dance Theater Company, is a classically trained actor, a storyteller, a dancer, and a director. Her works have been commissioned and performed internationally, in New York, and at regional and stock theaters throughout the U.S., including such venues as Lincoln Center, the Brooklyn Museum, Paper Mill Playhouse, the Caramoor Center for Music and the Arts, the Nashville Institute for the Arts, the New York International Fringe Festival, and the Edinburgh Festival Fringe in Scotland. An accomplished writer and producer, she has adapted and/or written for the stage, produced, performed, and toured in: Ali Baba and the Forty Thieves; Gypsy TalesOvid’s MetamorphosesBanat El Emir or The Dancing Princesses; and for Mosaic Dance Theater Company, Tales from The Arabian NightsLand of The PharaohsThe Paradise of Children, La Lettera d’Isabella, Troy: Women & War, and Impressions of The Alhambra. In addition to her numerous acting credits, she worked as production assistant for several Broadway productions, was artistic consultant for the late film star Anthony Quinn, and is privileged to list on her resume the remarkable experience of working at the Dallas Theater Center (TX) during its leadership by the legendary Paul Baker. Morgiana teaches classes and workshops in Middle Eastern dance, and conducts workshops for storytelling and storytheater. She holds an MFA from Trinity University and a BA from Lehigh University.

photo: courtesy Mosaic Dance Theater Company

ABOUT Samara Adell

Samara’s hallmark style, a blend of serene elegance, spiritual grace, earthy passion, and technical prowess is the result of a life long commitment to Oriental Dance. Drawn to the dance since she was a child; via her Mediterranean heritage (Greek and Turkish), Samara’s background enhanced her organic sense of rhythm and her mastery of hip dynamics that characterize the dances of the Near East. Samara began dancing professionally in her teens, having already studied other dance forms extensively. Her exotic beauty and natural talent soon made her one of the most sought after dancers in the New York Area.

While some dancers might have been content to rest on their laurels, Samara chose instead to constantly challenge herself and pursue the art of Middle Eastern dance on it’s highest level. In this quest she was aided by her outstanding dance mentor, the late master dancer/teacher/choreographer IbrahimF.arrah. Samara studied with Mr. Farrah for over 15 years. As a member of his renowned Near East dance Group, Samara’s performed in some of America’s most prestigious concert halls, including Carnegie Hall, Avery Fischer Hall at Lincoln Center, Town Hall, The Triplex Theater, Theater of the Riverside Church and Merkin Concert Hall in New York, the Warner Theater in Washington D.C. and the Spoleto Festival in Charleston S.C.

After the untimely death of Ibrahim Farrah, Samara joined two of his other principle dancers, Phadrea and Jajouka, on a tour of various cities in the U.S. from October 1999 to July 2000. Together they taught the Ibrahim Farrrah method and performed his choreographies in such theaters as the Hart House Theater in Toronto, the Robert B Moore Theater in Costa Mesa California, On The Boards Theater in Seattle, Washington and the Da Capo Opera House in New York City.

In addition to her work with the Near East Dance Group, Samara has shared the stage with some of the most famous singing stars of the Middle East including, ( to name a few), Walid Tofic, Ragheb Alame, Sabah, and George Wassouf. Samara was a part of Warda’s dazzling show at Madison Square Garden, The Brooklyn Funk Essential at Irving Plaza and danced with famed pop-fusion star Alabina at the Beacon Theater. She co-produced and appeared as an original member of the World Beat Extravaganza Ballet Exotiqa and danced with Christine Aguillera at Radio City Music Hall for the MTV Music Awards. Samara was a 1998 inductee into the American Academy of Middle Eastern Dance Hall of Fame.

As a soloist, Samara has been engaged in Middle Eastern nightclubs and theaters throughout the United States and Abroad. Her dance journeys have taken her to Mexico, the Caribbean, France, England, China, Japan, Jordan, Egypt, Israel and West Africa. Samara performed in Greece three consecutive years and shortly after toured in Turkey, Greece, Russia, Bulgaria, Egypt and Israel. She has performed as a Guest Artist with the Kamatsu Kaoru Arabia Dance Company at the Kyurian Theater in Tokyo Japan and at the Ahlan Washalan Festival in Cairo Egypt June 2008.

For the past 22 years Samara has been the choreographer and Artistic Director of Dance for The Mosaic Dance Theater Company. For Mosaic she has choreographed numerous traditional and interpretive works including: Impressions Of The Alambra (2024), Alhayat Raksa (Life Is A dance) 2023, Troy: Women & War (2022), Four Women (2018) Tales From The Arabian Night (2014), MDTC 10th Anniversary Concert at The Martha Graham Theater (2013), The Art Of Sense & Soul (2013), MDTC at The Hudson Guild Theater (2011), MDTC at Westminster College (2011), MDTC At Westminster College (2010) ,Tradition Myth & Fantasy (2009), MDTC and Viva Flamenco (2009), Dances of Time and Tradition (2008), MDTC At Reinhardt College (2008), Dances of North Africa and The Middle East (2007), The Fisherman and The Djinni and The King of The Ebony Isles: Tales from The Arabian Nights (2006), Visions of The Near East (2005), and a Celebration of Middle Eastern and Mediterranean Dance (2003).

Additional choreographic credits include several Off Broadway productions: Banat El Amir or The Dancing Princesses in which she also performed, Caravan to Cairo critically acclaimed in it’s presentation at the New York International Fringe Festival, special choreographer for Broadway star Robert Cuccioli in Elvis Unbound, Veils (a serial comedy), and Kamatsu Kaoru Arabia Dance Company in Tokyo Japan.

At home in New York City, Samara has taught in a number of well known dance schools, among them The New Dance Group, Dance Concepts, The Ibrahim Farrah Near East Dance School, The YWCA of New York City, Hunter College Dance Department, The United Nations, Djiniba Dance and Drum Center, Fazils, Steps and Manhattan Movement and Arts Center. Samara now teaches at Dany Studios, Nola Studios and is a faculty member at The Alvin Ailey Extension. Samara also teaches at various cultural centers for the City Of New York.  As a Seminar Instructor Samara teaches regularly throughout the United States and Abroad.

Samara conducts a Weeklong Intensive Workshop every year in New York City where students come from all over to study her method. Her classes are noted for their emphasis on developing strong technical skills, expressiveness, spatial patterns and musical interpretation. Samara’s extensive background in Theater and Cabaret gives her students a very broad overview into this intricate and expressive dance form.

Samara’s talents are not limited to dance. She has studied acting at The Ernie Martin Studio Theater and The Actors Conservatory with Elaine Aiken and has appeared in Off Broadway productions. Samara has also studied writing and film making at the New School for Social Research. As a professional model, Samara has worked in the U.S. and Europe in runway, print, and fashion. As a producer, Samara has produced dance, theater, musicals and has recently produced her first Middle Eastern Dance CD “YA SAMARA “ A significant amount of Samara’s time and energy is also dedicated to humanitarian causes. She is particularly active in animal rescue, animal rights and environmental organizations.

Photo: Courtesy Mosaic Dance Theater Company/ Westminster Performing Arts

Podcast produced by: The Moving Architects
Interviewer: Erin Carlisle Norton

MSP 184: Twin Cities

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PODCAST 184: Twin Cities

Release Date: 3.17.25

TO DOWNLOAD PODCAST OR LISTEN:

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Twin Cities with Joanna Lees, Jesse Schmitz-Boyd, Erinn Liebhard

 

Episode 184: Show Notes.

Nestled along the Mississippi River, Minneapolis and Saint Paul offer a unique mix of natural beauty and culture. Winters are harsh, but skyways provide warmth, and frozen lakes set the scene. When summer arrives, the cities buzz with life, from thriving arts and food scenes to passionate sports fans. Each season brings a fresh energy to this dynamic and welcoming community. Today, we’re joined by three dance artists who call the Twin Cities home—Joanna Lees, Jesse Schmitz-Boyd, and Erinn Liebhard. Together, we dive into the Twin Cities dance and arts scene, exploring how they found their way there, their roles in the dance world, and how the region’s geography (and harsh winters) shape the artistic landscape. They share insights on leading dance companies, navigating the audition scene, and the importance of carving out a niche. We also discuss the concept of “all-encompassing physicality,” available resources for artists, and the gaps they hope to see filled in the local dance community. Tune in for a rich conversation on what makes the Twin Cities such a unique and inspiring place for dance!

Key Points From This Episode:

  • Listeners are introduced to our three amazing guests: Joanna Lees, Jesse Schmitz-Boyd, and Erinn Liebhard.
  • Their roles in the dance world and what brought them (or kept them) in the Twin Cities.
  • What ‘Twin Cities’ means and how the geography influences the dance scene.
  • How the winter (with its snow and ice) impacts their art and dance-making.
  • They highlight their experiences leading dance companies in the Twin Cities.
  • We discuss the ins and outs of the audition scene in the Twin Cities.
  • Joanna expands on the concept of “all-encompassing physicality.”
  • Jesse touches on the necessity of moving towards a “niche” in the Twin Cities dance scene.
  • The vibe of the dance community and different dance hubs in the area.
  • They expand on the different resources available in the Twin Cities.
  • The gaps (or downsides): changes and developments they’d love to see.
  • Each guest expands on what makes their dance life in the Twin Cities special to them.

ABOUT Joanna Lees

Joanna Lees (she/her) is a choreographer, performer, producer, director, filmmaker, and educator based in Minneapolis, MN. Her current research involves cultivating empowerment and healing through trauma-informed artistic practices. Originally from the Washington, D.C. area, Joanna graduated cum laude with distinction with a BFA in Dance and a minor in Business from The Ohio State University (2007). There, she was an Arts Scholar and the recipient of the Denman Undergraduate Research Forum Scholarship. She also performed in Doug Varone’s Le Sacre du Printemps (The Rite of Spring) in collaboration with BalletMet Columbus.

Joanna moved to Minnesota in 2008 and showcased her own choreography independently before co-founding the Minneapolis dance company, Alternative Motion Project alongside Kristin Howe in 2011. Joanna serves as the Artistic + Executive Director and has led in creating performing opportunities for artists, educational outreach programs for public school students, and innovating within audience engagement initiatives. As a performer, Joanna has worked with a variety of local choreographers including, Body Watani (Noelle + Leila Awadallah), Alexandra Bodnarchuk, Khary Jackson, Erin Drummond, Penelope Freeh, Jennifer Glaws, Kristin Howe, Heather Klopchin, Erinn Liebhard, Blake Nellis, Darrius Strong, and Taja Will. 

In 2020, Joanna earned her Masters of Fine Arts degree in Modern Dance at The University of Utah (Salt Lake City). Whilst there, she served as a Graduate Teaching Assistant in the School of Dance and received the L. Scott Marsh Mentorship Award & a University Teaching Assistantship. Joanna performed works by Charles O. Anderson, Stephen Koester, Sara Pickett, and Christine McMillan. She performed in work by Doug Varone in collaboration with Doug Varone and Dancers and was selected as a choreographer for Varone’s DEVICES mentorship program, showcasing her work, Spiral Into Control, in New York City (2018). An excerpt of her MFA thesis, B E C O M I N G, was selected to represent the University of Utah in performance for the American College Dance Association Northwest Regional Conference at Gonzaga University (2020). Her work has also been presented in the Chicago area, Louisville, KY, and Kalamazoo, MI. 

Joanna served as a faculty member at Winona State University where her original work, Entropy, represented WSU at the 2024 Northwest-Central Regional Conference (Northfield, MN).

photo by: Bill Cameron

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ABOUT Erinn Liebhard

Erinn Liebhard (she/ her) is a Twin Cities, MN-based (traditional lands of the Dakota and Ojibwe people) dance artist making opportunities for people to experience the reflective and connective power of groove through performance and education. Having grown up dancing socially at her dad’s rock band’s gigs, she discovered young the exhilaration of playfully experiencing groove alongside others. Guided by this inspiration and a fondness for jazz and American social dance ideas, she’s worked with creatives as varied as hip-hop dance theater artist Rennie Harris and the Wild Goose Chase Cloggers Appalachian clogging company. She acknowledges that as a dance artist working in jazz and American social dances, forms with African diasporic roots and branches, anti-racism and intersectional justice efforts must also be central in her work. In performance, she makes and performs new staged works and presents those of others through her company Rhythmically Speaking, and performs freelance and as self-created character “Nerdette” for St. Paul Saints Baseball’s Entertainment Team. She also creates new works for high schools, colleges and professional companies. Her creative works emphasize groove, interaction and improvisation and are inspired by both social and concert dance movement while often driven by contemporary jazz music. In education, she has been faculty for many area arts high schools and universities and is currently teaching at Carleton College, St. Olaf College and Winona State University. She also conducts educational outreach through her company and is an active writer, residency artist and conference presenter. She is driven to help connect people to themselves, one another and the moment through rooted and innovative embodiment of groove.

photo by : Galen Higgins

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ABOUT Jesse Schmitz-Boyd

Jesse Schmitz-Boyd is a Twin Cities-based choreographer, dance artist, and educator known for his innovative approach to movement and performance. He is the founder and artistic director of Rogue & Rabble Dance and has been a company member of Alternative Motion Project (AMP) for over a decade. A dynamic collaborator, Jesse regularly works with Off-Leash Area, performing at venues like the Cowles Center and participating in the Neighborhood Garage Tour across Minnesota. His recent project, Dredged and Dammed: A Confluence, created with Elizabeth Flinsch, is an experimental dance exploring the history of the Mississippi River.

Jesse’s choreography is characterized by its unique blend of humor, emotional depth, and exploration of human connection. His movement language fuses flowing, off-kilter gesture with an emphasis on disruption and play, drawing from fall-and-recover techniques while embracing complexities and contradictions. His work often reflects a self-aware meditation on the futility of fully capturing these complexities, inviting audiences to engage with both the absurd and the profound.

In addition to his own compositions, Jesse has performed in works by a diverse group of accomplished choreographers, including Michael Estanich, Jennifer Glaws, Heather Klopchin, Brianna Rae Johnson, Erinn Liebhard, Brenna Mosser, Kristin Howe, and Joanna Lees.

Jesse’s choreography has been showcased at venues such as the Red Eye Theater, The Southern Theater, DanceBarn Festival (Battle Lake, MN), The Lab Theater, Minnesota Fringe Festival, The Ritz Theater, and Movement Arts Day (Eau Claire, WI). His piece 35 Different Angles From Which to Hate Yourself was named one of the Star Tribune’s “10 Must Sees” at the 2017 Minnesota Fringe Festival, with the paper praising it as “pretty darn funny”. In 2022, his work TRAITOR received a Golden Lanyard Award at the Minnesota Fringe Festival.

With a degree in Dance and Anthropology from the University of Wisconsin–Stevens Point, Jesse’s interdisciplinary background informs both his creative process and his perspective on movement. He has taught dance, movement, and performance to students of all ages across Minnesota and Wisconsin since 2003 and currently serves on the faculty at The Children’s Theater Company in Minneapolis.

photo by: Bill Cameron

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MSP 183: Heidi Henderson

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PODCAST 183: Heidi Henderson

Release Date: 1.20.25

TO DOWNLOAD PODCAST OR LISTEN:

    • Apple: Subscribe, Listen, Rate Us HERE

    • Spotify: Follow and Listen HERE

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Something About the Way She Moves with Heidi Henderson

Episode 183: Show Notes. 

Heidi Henderson teaches Modern Technique, Composition, Improvisation, Anatomy, and Dance Writing at Connecticut College. She’s also the artistic director of elephant JANE dance, where she brings her unique vision and creativity to the stage. Heidi grew up in Maine, spent some time in New York City, and now lives in Rhode Island. Heidi is a four-time recipient of the Rhode Island State Council on the Arts Choreography Fellowship. Her work has been performed internationally in London and Korea, as well as at renowned venues like Jacob’s Pillow, The Flynn Space, and the Bates Dance Festival. She has danced with acclaimed companies and artists, including Bebe Miller, Nina Weiner, Paula Josa-Jones, Colleen Thomas, Peter Schmitz, and Sondra Loring, and was a contributing editor at Contact Quarterly, a vehicle for moving ideas.  Join the conversation to hear what inspired her dance journey, what her experience was like in New York, what it was like to figure out the intricate logistics of performing in a roller-skating rink, and what inspired the name of her company. We highlight some of the challenges, benefits, and peaks of her journey, what’s next for her, and much more! Don’t miss out, tune in now.

Key Points From This Episode:

  • Heidi shares her dance journey throughout the years.
  • What ultimately sucked her into the world of dance.
  • She details her experience getting her M.F.A. at Smith.
  • Her plan after graduate school.
  • Heidi talks about her experience in New York with Bebe Miller, Nina Weiner, and more.
  • What Heidi did as a “job” during her time in New York (and how those skills are still in use!)
  • The logistics behind her recent show, Untitled Sad Piece, performed in a roller-skating rink.
  • Heidi’s journey as she started making her own work.
  • The story behind the name of her company, elephant JANE dance.
  • How her teaching career came together and evolved over the years.
  • She breaks down some of the challenges she’s faced over the span of her dance journey.
  • We discuss some of the benefits of starting a dance career later on.
  • Looking back, we highlight some of the peaks of her dance career.
  • What’s next for Heidi.
  • How Heidi finds artists to work with.

ABOUT Heidi

Heidi Henderson (she/her) lives and makes work in RI, is a Professor at Connecticut College, and danced in NYC (in the companies of Bebe Miller, Nina Wiener, Peter Schmitz, Sondra Loring, Colleen Thomas, Paula Josa-Jones, etc.) Her pickup company, elephant JANE dance, performs mostly in New England. She has received, five times, the Fellowship in Choreography from the Rhode Island State Council for the Arts. She was a frequent contributing editor for Contact Quarterly. Her process is made slightly more clear in a gracious interview by Sara Smith for Kinebago, republished in Critical Correspondence  by Movement Research.  She is most grateful for the folks at Motion State Arts and United Skates for allowing her to dance in a roller rink.

photo: courtesy Heidi Henderson

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Podcast produced by: The Moving Architects
Interviewer: Erin Carlisle Norton

MSP 182: Jamila Glass

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PODCAST 182: Jamila Glass

Release Date: 1.6.25

TO DOWNLOAD PODCAST OR LISTEN:

    • Apple: Subscribe, Listen, Rate Us HERE

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A World Immersed in Art with Dancer, Filmmaker, Choreographer, and Artistic Director Jamila Glass

Episode 182: Show Notes.

Jamila Glass is a filmmaker, choreographer, and Artistic Director of L.A. Contemporary Dance Company (LACDC), where she has been a member since its founding in 2005. She has choreographed for Netflix, HBO, Hulu, BET, and PRADA, with her work featured in the NY Times, L.A. Times, Essence, and Ebony. In 2024, she co-founded the Los Angeles Choreographers Institute and has directed 21 short dance films, a TV pilot, and music videos through her production company, The Cutting Room. A graduate of USC’s School of Cinema-Television, her work blends movement, storytelling, and world-building to reflect the human experience. On this episode of Movers and Shapers: A Dance Podcast, Erin sits down with Jamila Glass to discuss her love for dance, her time at a performing arts high school, and her journey through USC’s School of Cinema-Television. Jamila explores how dance and film began to intertwine in her life, unpacking her powerful statement: “I’m a better dancer because I’m a filmmaker, and I’m a better filmmaker because I’m a dancer.” She reflects on nearly five years as Artistic Director of the L.A. Contemporary Dance Company (LACDC) and shares her current projects and excitement for what’s ahead. Don’t miss this insightful conversation with an inspiring artist. Thanks for listening!

Key Points From This Episode:

  • Jamila shares the origin story of her love for dance.
  • She reflects on her time in a performing arts high school (in Houston).
  • What she wanted to get into after high school and her first entry into film: video editing.
  • Jamila takes us through her USC journey and her plan for after graduation.
  • How her two worlds of dance and film began to merge.
  • She explains how she started and her experience choreographing for film and television.
  • Jamila delves into and unpacks her quote, “I’m a better dancer because I’m a filmmaker, and I’m a better filmmaker because I’m a dancer.”
  • Why she finds it interesting that people grapple with the idea that they need to choose one thing and stick to it for the entirety of their careers.
  • Jamila details her role and insights gained as Artistic Director of the L.A. Contemporary Dance Company (LACDC)
  • What she’s creating now and the energy behind her upcoming projects.

ABOUT Jamila

Filmmaker and Choreographer Jamila Glass is known for creating cinematic journeys of movement, shaping characters, and building worlds that reflect what make us human. In addition to creating work as the Artistic Director of L.A. Contemporary Dance Company (where she joined in 2005 as a founding member), she has choreographed extensively in film and television. Glass’ choreography work includes projects on Netflix, HBO, Hulu, BET, and Prada, and garnered mentions in the New York Times, L.A. Times, Essence Magazine, Ebony Magazine, and Mashable. A cinema-television graduate from the University of Southern California (with an advertising minor), she has spent the last 10 years bridging the world of film and movement, directing and producing 20 dance films.

photo: Photo by Malachi Middleton

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Video Clip:

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Podcast produced by: The Moving Architects
Interviewer: Erin Carlisle Norton

MSP 181: Chicago

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PODCAST 181: Chicago

Release Date: 12.23.24

TO DOWNLOAD PODCAST OR LISTEN:

    • Apple: Subscribe, Listen, Rate Us HERE

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Five Voices, One City: Unpacking Chicago’s Dance Community, with Kristina Fluty, Alyssa Gregory, Rahila Coats, Michael McStraw, and Helen Lee

Episode 181: Show Notes

In this episode of Movers & Shapers: A Dance Podcast, we dive deeply into the vibrant and diverse world of Chicago’s dance scene. Joining Erin are five incredible voices, each bringing a unique perspective on what makes this city’s dance community so dynamic, expansive, and full of life. Featured in this episode are Kristina Fluty, Alyssa Gregory, Rahila Coats, Michael McStraw, and Helen Lee — five Chicago-based dance artists who capture the spirit and energy of this thriving artistic hub. Together, they share how living in Chicago has shaped their careers and creative journeys, and explore how the city’s geography influences its dance community. We explore the work being created there, the support systems and resources that have been most valuable in their growth, and delve into an overview of opportunities for residencies and funding. Plus, each artist reflects on what keeps them curious, inspired, and energized within the Chicago dance world. Tune in for a lively and insightful conversation that captures the essence of this incredible dance community. Enjoy!

Key Points From This Episode:

  • Setting the scene for the Chicago-focused episode.
  • We are introduced to our five guests: Alyssa Gregory, Kristina Fluty, Rahila Coats, Michael McStraw, and Helen Lee.
  • How living in Chicago has influenced their careers and artistic journeys.
  • Our guests help situate Chicago for listeners unfamiliar with the city and how it shapes the dance community.
  • We dive in and discuss the Chicago dance scene and the work being made.
  • Resources and support systems that have been the most valuable to our guests throughout their careers.
  • An overview of the opportunities available for dance residencies and funding within the Chicago dance scene.
  • Dance education hubs and the overall dance class vibe in Chicago.
  • Each guest talks about what keeps them curious, interested, and excited about their dance lives in Chicago.

ABOUT Kristina Fluty

Connect: Molly Shanahan Spiral Body

Kristina Fluty has called Chicago dance company Molly Shanahan/Mad Shak her artistic home since 2003. She is one of the inaugural certified teachers of Shanahan’s Spiral Body Techniques® and works with Shanahan to develop the framework and disseminate the teachings. The Feldenkrais Method® and Contact Improvisation (more than 25 years of personal practice) are also largely influential in her creative work and pedagogy. Early training includes a BA from Point Park University, time on scholarship at the Trisha Brown studios, and the early ‘aughts downtown NYC dance scene with instructors/choreographers such as K.J. Holmes, Miguel Gutierrez, and David Dorfman.

Kristina has taught and/or coached movement at the University of Milwaukee-Wisconsin, Columbia College Chicago, the Lou Conte Dance Studio/Hubbard Street Dance Chicago, Dovetail Studios, Chicago Movement Collective, the University of Chicago, Lyric Opera, Mordine and Company, Thodos Dance Chicago, BoneDanse, and Synapse Arts. She has choreographed theatrical intimacy at Steppenwolf, Porchlight, TimeLine, Marriott, and Remy Bumppo in Chicago, as well as one gig at Center Theater Group in Los Angeles. She has danced with many choreographers and companies in venues such as Joyce Soho, Tangente Montreal, the Athenaeum, Links Hall, Millennium Park, and Ruth Page, and continues to perform as much as possible. 

Her MA and certifications in Laban/Bartenieff Movement Analysis and Movement Pattern Analysis are from Columbia College Chicago. Currently, Kristina is an Associate Professor at The Theatre School at DePaul University, where she teaches movement to actors in the BFA and MFA conservatory programs.

ABOUT Alyssa Gregory

Connect: The Process website, The Fly Honeys, Arts + Public Life

Alyssa (Uhh-lee-sa) Gregory is a Chicago based performer, choreographer, teaching artist, and arts administrator.  She’s worked with some of Chicago dance’s greatest including Erin Kilmurray, The Moving Architects, Joanna Furnans, The Leopold Group, Jenn Freeman/Po Chop, and The Fly Honey Show.  She holds a Bachelors of Fine Arts in Dance & Choreography from Virginia Commonwealth University and a  Masters of Arts in Performing Arts Administration from Roosevelt University.  She has worked in Marketing, Communications and Social Media for the Dance Presenting Series, Honey Pot Performance, The Fly Honey Show, the Arts Club of Chicago and is currently Communications Manager at Arts + Public Life. She is also host of The Process Podcast which highlights the creative process of Chicago dancers, dance makers and all-around booty shakers.  (she/her)

 

ABOUT Rahila Coats

Connect: Instagram @rahilacoats

Rahila is a movement artist based in the Midwest. She has performed new works and repertoire by Abigail Sena Atugah, Kofi Anthonio, Judith Brin Ingber, Karen Charles, Marciano Dos Silva Santos, Drew Lewis (House of DOV), Carl Flink, Kevin Iega Jeff, Ohad Naharin, Andrea Miller, Robert Moses, Leslie Parker, Uri Sands, Chris Schlicting, Erin Kilmurray, Anna Martine Whitehead, and Tali Wertheim- Agranionik and more in and outside the US dance community. Her works have been shown through the support of Danceworks Chicago, Thodos Dance Chicago, Synapse Arts, Co.mpany Projects, Twenty Percent Productions, Jerusalem Jazz Festival, and the University of Ghana- Legon. In 2021 she received Chicago’s 3Art’s Make A Wave Award along with 120 Chicago based artists. She toured nationally with Red Clay Dance Company from 2021-2024, and currently performs in Anna Martine Whitehead’s FORCE! An Opera in 3 Acts. Rahila regularly performs and composes music with the music collective Family Junket.

ABOUT Michael McStraw

Connect: Chicago Dance History

Michael McStraw, Executive Director of Chicago Dance History Project (CDHP), is a member of and an outstanding advocate for the Chicago performing arts community. As a professional dancer, musician, arts administrator, dance educator, board member, and arts patron, Michael has been a positive and constant influence in the community for 40 years. Raised in Western Pennsylvania, his life includes a BS degree in Geology from Allegheny College, a Master of Fine Arts degree in Modern Dance from the University of Michigan, and a stint as an agricultural extension agent in the Peace Corps in Sierra Leone, West Africa. He danced extensively with the area’s premier contemporary dance companies, including Mordine & Company Dance Theater, an organization he also managed, Jan Erkert & Dancers, and DanszLoop Chicago, of which he was a founding member. Prior to joining CDHP, Michael was honored to serve as Giordano Dance Chicago’s Executive Director for 13 years. He is an experienced marketing, operations, and project management professional with special skill in developing strategic long-term solutions for complex business issues. Michael has twice served three-year terms on the Illinois Arts Council Dance Panel, is past President and Board Member for See Chicago Dance, Chicago’s dance marketing and advocacy organization, and has mentored young artists/administrators within Pentacle’s Help Desk program. After serving six years as an ex-officio member of the Harris Theater for Music and Dance’s Board of Trustees, representing that organization’s Resident Companies, Michael was appointed as a full Trustee in June 2022. Michael was celebrated as the Chicago Tribune’s “2022 Chicagoan of the Year in Dance.”

(Photo by Todd Rosenberg, courtesy of Giordano Dance Chicago)

ABOUT Helen Lee

Connect: Momentum Sensorium

Helen Lee (they/she) is a Queer Asian Chicago-born interdisciplinary artist raised by immigrant parents from South Korea. They received an MFA with a focus in Performance and Film from The School of the Art Institute of Chicago and a BA in Dance with a minor in Theatre from the University of Hawaii at Manoa. They have been a company member for The Humans, Tangentz Butoh Performance Group (Lori Othani), Aloha Dancers and Friends of Polynesia, understudied with Iona Contemporary Dance Theatre, been a guest artist for IS/LAND, and studied with Eiko Otake, Tadashi Endo, and Molly Shanahan. They have been teaching yoga, meditation and mindfulness since 2007. That same year, they formed Momentum Sensorium, a project-based company that has created and choreographed for See Chicago Dance, Out of Site, APIDA Arts Festival, and sometimes in unconventional locations such as lighthouses, train stations, and attics. Much of their work focuses on the senses, death, and the entanglement of light/shadow, joy/grief, celebrating Asian voices and Black and Asian allyship. They have presented works in the US, South Korea, Japan, Germany, Iceland, Finland and Canada. Helen was selected for 2022 Newcity Breakout Artist and 2024 Chicago Dancemakers Forum Lab Artist. They have had residencies at Chicago Artists Coalition, Chicago Cultural Center, Links Hall and High Concept Labs at Mana Contemporary. They are a frequent performer and improviser for Cristal Sabbagh’s Freedom From Freedom To series at Elastic Arts and is currently part of Tend for Khecari.

MSP 180: Tristan Ching Hartmann

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PODCAST 180: Tristan Ching Hartmann

Release Date: 12.9.24

TO DOWNLOAD PODCAST OR LISTEN:

    • Apple: Subscribe, Listen, Rate Us HERE

    • Spotify: Follow and Listen HERE

    • Any Smartphone Podcast app: Subscribe and Listen

Crafting a Fulfilling Life In Dance with Tristan Ching Hartmann

Episode 180: Show Notes.

What does it take to craft a fulfilling life in dance? For Tristan Ching Hartmann, it’s a blend of resilience, curiosity, community, and an unshakable love for movement. From her shy beginnings in Ventura, California, to performing with the Margaret Jenkins Dance Company in San Francisco, Tristan’s journey has been anything but conventional. She reflects on transformative moments, including commuting long hours for ballet classes, finding her artistic home with Robert Moses’ Kin, and reinventing herself as a jazz dancer during her time in London. Tristan delves into how her teaching practice reignited her creativity, her experiences taking on choreography, and the life lessons she’s learned from Argentine Tango. She also shares the profound impact of a serious spinal injury that temporarily halted her dancing and how it led her to redefine her relationship with movement. Now dancing into her late 40s, she offers insights on adapting training, cherishing every moment in the studio, and navigating the physical demands of her art. Her passion for building community and mentoring younger dancers reflects her deep commitment to the art form and those who practice it. Join us for an inspiring conversation that explores what it truly means to craft a fulfilling life in dance!

Key Points From This Episode:

  • An introduction to Tristan Ching Hartmann and her unique movement journey.
  • How a childhood dance class sparked a lifelong passion for movement and artistry.
  • Tristan’s deep connection to ballet and her love for its precision, grace, and classical music.
  • The balancing act of pursuing dance while meeting her family’s academic expectations.
  • How Stanford shaped her journey, leading to modern dance and joining Robert Moses’ Kin.
  • The pivotal role of Robert Moses in Tristan’s early professional career and artistic growth.
  • Recovering from a serious spinal injury and the life-changing decision to travel and reflect.
  • How moving to London allowed Tristan to reinvent herself and explore jazz and the West End.
  • Her transformative experience teaching and discovering new ways to connect with students.
  • Returning to the stage with Margaret Jenkins Dance Company in her late 40s.
  • How Tristan adapts training to stay active despite the physical challenges of aging.
  • Tristan’s insights into Argentine Tango as a life lesson in feeling and responding.
  • Reflecting on her love for building community and mentoring the next generation of dancers.

ABOUT Tristan

Tristan Ching Hartmann (she/her) was born and raised in Southern California.  She took her first dance class in the garage of her babysitter’s friend, and doesn’t remember a time (thankfully) when she didn’t dance.  She took ballet, jazz, and tap at local schools in Ventura until a fellow student Tristan idolized decided to start commuting to the Westside School of Ballet.  Tristan followed.  Tristan trained at Westside and spent summers at the San Francisco Ballet School until she graduated high school and entered Stanford University.  At Stanford, Tristan took her first modern dance, a rigorous Cunningham technique class taught by Diane Frank, as well as commuting up to San Francisco to study with Alonzo King, Arturo Fernandez, Carmen Rozestraten, and Summer Lee Rhatigan.  Tristan also began working with Robert Moses at this time.

Tristan graduated from Stanford with a B.A. in English and M.A. in Education, and moved up to San Francisco the next day.  She danced with Robert Moses’ Kin for 11 years, collaborating with incredible artists such as Sara Shelton Mann, Robert Henry Johnson, Joanna Haigood, Marcus Shelby, Somei Yoshino Taiko Ensemble, and Youth Speaks.  In March 2006, not searching for a better experience, just a different one while she could still dance, Tristan retired from Robert Moses’ Kin.  Two weeks after retiring from the company, Tristan learned she needed immediate cervical spine surgery; the following week, she and her husband, Mark, made the decision to travel after she had recovered.

While traveling, Mark was offered a job in London.  There, Tristan took the opportunity to reinvent herself—coming back to her love for jazz, getting an agent, and starting the West End audition circuit.  In 2009, Tristan danced at the BRIT Awards in a special tribute to the Pet Shop Boys featuring Brandon Flowers and newcomer Lady Gaga.  Tristan and Mark spent two years in London before moving back in 2010 to be closer to Mark’s father who had been diagnosed with a gliobastoma.

Back in San Francisco, Summer Rhatigan invited Tristan to join the faculty of the San Francisco Conservatory of Dance.  It was an oasis of learning, creation, and thought—fueled by teaching artists like Christian Burns, Alex Ketley, Eli Nelson, Miranda LaValle, Bobbi Jene Smith, and Tom Weinberger, as well as the students themselves.  Here, Tristan was able to refine her teaching skills and– thanks to Summer’s encouragement and support– began leading creative writing sessions and making work for the first time.

A big hole was felt—and is still felt—when the Conservatory closed in 2018.  Not feeling ready to teach anywhere else, Tristan instead invited some friends and former students to play around in the studio.  These play sessions led to a couple small solos and duets, which were eventually performed to live text by Christine No and Nick Jaina in a show produced by Red Light Lit. They were performed again in a collaborative show with Nol Simonse, Kara Davis, Victor Talledos, and Manuelito Biag in March 2020, days before shelter-in-place began.

And then, of course, the pandemic.  A huge ellipses for us all… A different experience for everyone and yet, somehow similar in its wonderings and grief, whether acknowledged or not.

In 2021, at 47 ½ years old, and 14 years after she had first expressed interest in working with the company, Tristan joined Margaret Jenkins Dance Company, thanks to the generosity and open-minded vision of its director.  When not in the studio with MJDC, Tristan enjoys a weekly movement practice led Sara Rudner, travelling with her husband, hosting a writing happy hour, gently exploring Argentine tango, and dreaming/collaborating with her friends.

PC:  Peter Teigen

 

 

Podcast produced by: The Moving Architects
Interviewer: Erin Carlisle Norton

MSP 179: Durham

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PODCAST 179: Durham

Release Date: 11.25.24

TO DOWNLOAD PODCAST OR LISTEN:

    • Apple: Subscribe, Listen, Rate Us HERE

    • Spotify: Follow and Listen HERE

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The Durham Dance & Art Community with Anna Barker, Jessi Knight, Kristin Taylor Duncan, and Stacy Wolfson

Episode 179: Show Notes

Durham, North Carolina, is a mid-sized city known for its vibrant mix of innovation, collaboration, and creativity. Frequently ranked as one of the best places to live in the US, it boasts a thriving arts, culture, and culinary scene. With a strong sense of community, Durham takes pride in its commitment to inclusivity and diversity. In this episode, we shine a spotlight on four inspiring Durham-based dance artists: Anna Barker, Jessi Knight, Kristin Taylor Duncan, and Stacy Wolfson. Resourceful and deeply passionate, these dancers not only support one another but also fully embrace the creative freedom they’ve found in Durham, along with its unique joys and challenges. Our conversation explores the journeys that brought each artist to Durham and how the city has influenced their work. They share insights into its geography and connections to the Triangle and Triad regions, discussing how these factors shape their artistic processes. The discussion also tackles the challenges of building a dance community and reflects on its role within the local arts landscape. Looking ahead, the artists articulate their visions for the future of their community, the changes they hope to see, and what makes their dance lives in this city so deeply meaningful. Don’t miss this heartfelt and inspiring exploration of creativity, connection, and community. Tune in today!

Key Points From This Episode:

  • An introduction to today’s topic and each of our special guests.
  • What drew these artists to Durham and how it has influenced their artistic journeys.
  • Insight into the geography of Durham; the Triangle and Triad.
  • How dance artists navigate the various challenges of making work in Durham.
  • Where in the community artists can come together in Durham or its surroundings.
  • Reflections on where dance fits into Durham’s art landscape and why.
  • A breakdown of the different changes or developments they’d like to see in the dance community and how they envision their contributions to it.
  • What is special to Kristin, Jessi, Anna, and Stacy about their dance life in Durham.

ABOUT Anna Barker

Anna Barker she/her (Artistic Director, real.live.people)- Anna’s choreographic research draws from the shared human experience to create an exchange about our social and interpersonal existence within an evolving sociopolitical context. She founded her dance theater company, real.live.people, in 2013 with collaborator Leah Wilks. Since its inception, the company has presented four evening-length live works: “it’s not me it’s you” (2014), “Feature Presentation” (2016), “Again, but this time with feeling” (2018) and “could be worse” (2024). She directed and produced her first feature-length dance film, “Level Up” (2021), which was featured in the Carrboro Film Festival and ADF’s “Movies by Movers” festival in 2022. Her work has been presented in various festivals and venues across the US. She received the NC Arts Council Fellowship (2019) and the Ella Pratt Emerging Artist Grant (2018). She currently creates dance work both in Durham and in NYC. In 2022, she opened The Movement Studio, an accessible Pilates-based movement space, at Radical Healing in Durham. She is a returning faculty member at the American Dance Festival’s Summer Dance Intensive this year. Anna lives in the woods with her partner Leif and her beloved dog GG. www.annasbarker.com

Connect

Anna Barker Website

The Movement Studio Durham

 

ABOUT Jessi Knight

Jessi Knight is a dancer, teacher, and choreographer from Pittsboro, NC. Her dance journey began as a happy accident and has since developed into a life-long passion. After graduating from Duke University with a self-designed dance degree with an emphasis in music and education, Jessi embarked on a teaching and choreographing career that has afforded her the opportunity to teach, choreograph, and perform both locally and nationally. She spent four years in Denver, CO, as a member of the internationally acclaimed Cleo Parker Robinson Dance Ensemble and currently resides in North Carolina where, in addition to choreographing on a project-by-project basis for her company Knightworks Dance Theater, she is a close collaborator with The Bipeds and mama to two incredibly brilliant spirits.

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Knightworks Dance Theater

 

ABOUT Kristin Taylor Duncan

Kristin Taylor Duncan is a native of Durham, NC. She is a BFA graduate of the UNC School of the Arts.  Mrs. Duncan has trained at Jacob’s Pillow, and on scholarship at the Lou Conte Dance Studios in Chicago. In her early childhood years she danced with Collage African Dance Company and at Dance Arts Unlimited. In New York, she apprenticed with Urban Bush Women, and worked with choreographers Nathan Trice, Bridget Moore, Christal Brown, Shani Collins, Ayo Jackson and Sidra Bell.  Kristin has performed with Dr. Kariamu Welsh and Nnenna Freelon in the Clothesline Muse, cellist and vocalist Shana Tucker, Dr. Andrea E. Woods Valdez, Mexico City-based Tania Perez-Salas Compania de Danza, Juel Lane, Gaspard Louis, nosi DANCE theatre, as well as created and performed works with Yuxtadanza Compania de Danza of Venezuela.

Kristin performed with Helen Simoneau for the DANCE X Tour traveling to Montreal, Tokyo and Busan, South Korea. She has taught for the UNCSA’s preparatory program, the Festival of North Carolina Dance, Slippery Rock and also as a guest teacher at Durham School of the Arts and Tri-Cities Performing Arts School in Atlanta, GA.

For two seasons Kristin joined the Community Choral Project at UNC Chapel Hill as the High School choreographer. She has also worked with the Glenwood Elementary award winning 5TH grade Show Choir. Kristin has choreographed works for the elementary students participating in Evening to Shine presented by Durham Public Schools performed at the Durham Performing Arts Center.

Kristin has worked with choreographer Jasmine Powell performing in Approximation of a Woman and in the “Problem PSA” music video by music vocalist Kwanza Jones. She has participated in the “Feedback: The Institution for Performance” program hosted and directed by Carolina Performing Arts. Through Carolina Performing Arts she has performed with Bill T. Jones/Arnie Zane Company as a community performer in the work, “What Problem”. 

Mrs. Duncan is a proud recipient of the Ella Fountain Pratt Emerging Artist Grant and the Artists Support Grant. Since the founding days of her company KT COLLECTIVE Dance Company, she has been commissioned to create works by Helen Simoneau, American Dance Festival, NC Museum of Art, the Nasher Museum, NC Museum of History, Myra Weiss of Proxemic Media and North Carolina Central University. KT COLLECTIVE has performed at the Dumbo Dance Festival, the Richmond Dance Festival and most recently had the honor of performing at the Carolina Theatre for the Confronting Change celebration.  

Kristin is the Dance Director at Riverside High School as well as the High School Dance District Lead. In addition, Mrs. Duncan teaches at the Ballet School of Chapel Hill and in the Duke Dance Program.

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KT COLLECTIVE Dance Company

 

ABOUT Stacy Wolfson

Stacy Wolfson (artistic director) is a choreographer (The Bipeds), dancer, singer (The Bipeds, Curtis Eller’s American Circus), mama of two amazing teenagers, wife, and Pilates studio owner (Bull City Pilates and Massage). Originally from Virginia, she spent a decade in Chicago working collaboratively with The Space Movement Project, a company she co-founded in 2005. After deciding that the Chicago winters were no longer acceptable, Wolfson and her family relocated to Durham, NC where she began working as an independent choreographer.

Wolfson seeks out like-minded collaborative performers and creators, and began working closely with banjo-player Curtis Eller. She subsequently formed The Bipeds in late 2015. The Bipeds have presented work across North Carolina, Chicago, Virginia and New York and have had their films shown in various film festivals across the US and UK. Their most recent work was a commission for American Dance Festival’s “Made in NC” show in 2024. Other performance credits include RAD|Renay Aumiller Dances, North Carolina Dance Festival, ADF, Little Green Pig Theatrical Concern, David Dorfman Dance, Cincinnati Fringe Festival, Lucy Vurusic Riner of RE/Dance, Chicago Cultural Center, Erin Carlisle Norton, and Ayako Kato. Wolfson also sings harmony, records and tours with Eller’s rock & roll band, The American Circus.

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The Bipeds