MOVERS & SHAPERS: A DANCE PODCAST

Bringing to you stories of life in dance to guide and inspire yours.  Tune in to hear candid conversations with dancers, choreographers, educators, company leaders, collaborators, and more, as they share personal journeys, creative insights, and ideas shaping the dance field today.  Launched in 2015, the podcast is also a living archive of the field’s evolving voices and stories. Hosted by Erin Carlisle Norton and available anywhere you get your podcasts.

 

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MSP 201: Rym Kechacha

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MSP 201: Rym Kechacha

Release Date: 5.28.26

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From the Stage to the Page with Rym Kechacha

Episode 201: Show Notes. 

Sometimes you can get everything you want as a dancer, only to discover the reality is quite different from what you imagined it would be. In this episode, author and former dancer, Rym Kechacha, shares how that realization shaped her own journey, from early ballet training in London to dancing professionally with Northern Ballet, where touring life was both joyful and intensely demanding. She reflects on what it felt like to end her career as a dancer earlier than expected, and how that ending opened the door to a new creative identity. Rym traces her path into teaching, studying creative writing, and eventually publishing fiction, shaped by a lifelong love of books and fantasy. Our conversation explores her latest novel, The Apple and the Pearl, a ballet-inspired fantasy that captures both the beauty and cruelty of the stage world, blending realism with folkloric and fantastical elements. Thoughtful and candid about reinvention, artistry, and creative freedom, Rym offers her insights on what happens when one dream ends and another begins. Listen in for a rich discussion on dance, writing, and the stories that carry us forward!

Key Points From This Episode:

  • Rym’s upbringing in London and her love of dance from a young age.

  • How she persuaded her parents to let her attend ballet school at age 16.

  • The demanding daily schedule of life at Central School of Ballet.

  • Figuring out her plans after Ballet School and how her love of story ballets guided her.

  • How she joined Northern Ballet and what it was like touring with the company.

  • The serious impact of arts funding cuts and austerity measures in 2010.

  • Losing her place at Northern Ballet: why it was both sad and liberating.

  • What Rym did next in her career: travelling, au pairing, and becoming a teacher.

  • How she rediscovered writing, earned her creative writing MA, and published her first novel.

  • Reflections on the challenges of publishing and how ballet prepares you for rejection.

  • Her experience writing her latest book, The Apple and The Pearl, and how it relates to ballet.

  • A closer look at her upcoming novels, from Algerian history to London folklore and fantasy.

Rym Kechacha is a writer and teacher. After her dance career, she began to write fiction and is now the author of three novels. Her first novel, Dark River, tells the story of two mothers dealing with the effects of climate change, eight thousand years apart. Her second novel, To Catch a Moon, was published in 2022 and is a fantasy based on the paintings of Spanish Surrealist Remedios Varo. Her third novel, The Apple and the Pearl, is published in 2026 and is set over the course of a single day in the life of a magical touring ballet company. She lives in Norwich, UK with her family, too many books and an unruly garden.

 

Links Mentioned in Today’s Episode:

Podcast produced by: The Moving Architects

Interviewer: Erin Carlisle Norton

MSP 200: Connecting with the World Through Dance with Kitty McNamee

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MSP 200: Kitty McNamee

Release Date: 5.7.26

TO DOWNLOAD PODCAST OR LISTEN:

    • Apple: Subscribe, Listen, Rate Us HERE

    • Spotify: Follow and Listen HERE

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Connecting with the World Through Dance with Kitty McNamee

Episode 200: Show Notes. 

So much of what validates the human experience is the ability to collaborate and connect with other people in the world, and today’s guest has managed to do that through dance! Kitty McNamee joins us today to talk about her impressive career and how she found success despite limitations. Kitty was first drawn to the escapism element of musical movies and the wordless expression of dance, and although she started dancing very late, she was accepted to Houston’s performing arts high school. In this conversation, you’ll hear all about how starting dance at the age of 16 made her even more passionate because she really had to fight for success. Kitty goes on to talk about how she started choreographing and touches on her choreographic voice and style before sharing the importance of community and relationships in this industry. Kitty even tells us about the projects she is most proud of and teases what we can look forward to seeing from her in the future. From dance films to documentaries to pop-up performances by LA artists, Kitty’s career is truly an amalgamation of different art forms and a testimony to the power of collaboration with other artists. This is an episode you don’t want to miss, so be sure to press play now!

Key Points From This Episode:

  • A brief introduction to today’s guest, Kitty McNamee. 
  • Where she’s from and how she became interested in dance. 
  • Kitty’s experience at Houston’s performing arts high school. 
  • Her physical limitations and why she thought she should be an actress.  
  • Choreographing for Open Fist and starting her own dance company. 
  • Kitty describes her choreographic voice, movement themes, and influences. 
  • How her career progressed and how community and relationships kept her going. 
  • Her transition into working in dance films and how she got into that. 
  • Kitty tells us about her latest documentary project, Citizen, and her involvement. 
  • What LA POPS UP is and what inspired Kitty to create it. 
  • Her work with Laura Marling and what it’s been like to work in different kinds of spaces. 
  • Kitty shares her favorite dance projects and what she is most proud of. 
  • What we can look forward to from Kitty’s career in the future.

 

Links Mentioned in Today’s Episode:

Podcast produced by: The Moving Architects

Interviewer: Erin Carlisle Norton

MSP 199: Bhumi B Patel

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MSP 199: Bhumi B Patel

Release Date: 4.23.26

TO DOWNLOAD PODCAST OR LISTEN:

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    • Spotify: Follow and Listen HERE

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Balancing Dance and Academia with Bhumi B Patel

Episode 199: Show Notes 

Dance is a beautiful medium to honor the past while building community in the present. Today, we are joined by Bhumi Patel of Patel Dance Works to discuss her illustrious career. In this episode, you’ll hear all about Bhumi’s life, her creative interests, her college education at a women’s liberal arts institution, her love for constant learning and education, and so much more! We delve into her MFA experience and working through injury before discussing her dissertation on how queer of color performance is informed by improvisational practice and the ‘ghosts’ of the past. She even tells us about getting her Ph.D. during COVID, what her research was about, and how she managed to finish it in just four years. Lastly, Bhumi tells us how she plans on expanding her dissertation work into a book and what else we can expect from her in the future. From her master’s thesis encompassing the upheaval after World War Two, to her deep love for dance writing, Bhumi’s talents, interests, and achievements are fascinating! This is a conversation you don’t want to miss, so be sure to tune in now!

Key Points From This Episode:

  • Introducing Bhumi Patel to the show. 
  • How she became interested in dance, and why she chose a women’s college. 
  • What inspired Bhumi to pursue a career in dance during her undergrad. 
  • Bhumi tells us about her master’s thesis on Anna Sokolow’s Rooms. 
  • What kept drawing Bhumi back into an academic setting. 
  • Bhumi’s experience doing her MFA at Mills College and her focus on grief. 
  • Her dissertation on how queer of color performance is informed by improvisation. 
  • How she advocated for change through writing and starting her dance company. 
  • Bhumi tells us about the content of her Ph.D. and her determination to finish it fast. 
  • What she plans to do with her research and her plans for the future.
Dr. Bhumi B Patel is a queer home-seeker and science fiction choreographer, director of pateldanceworks, and scholar/writer. In its purest form, she creates performances as a love letter to her ancestors. Bhumi earned her PhD in Dance Studies from The Ohio State University, her MFA in Dance from Mills College, and her MA in American Dance Studies from Florida State University. Patel is a member of Dancing Around Race, founded by Gerald Casel, and engages with curatorial practices for both performances and written publications. Patel’s work has been presented at Movement Research (NY), The Asia Pacific Dance Festival (Manoa, Hawai’i), Urban Arts Space (Columbus, OH), Human Resources (LA), CounterPulse (SF), Joe Goode Annex (SF), RoundAntennae (Berkeley), SAFEhouse Arts (SF), max10 (Santa Cruz), RAWdance’s Concept Series (SF), The San Francisco International Arts Festival, Berkeley Finnish Hall, PUSHfest (SF), Shawl-Anderson’s Queering Dance Festival (Berkeley), and Deborah Slater’s Studio 210 Residency (SF). Bhumi has been a Lead Artist with SAFEhouse Arts, an Emerging Arts Professionals Fellow, and a Women of Color in the Arts Leadership through Mentorship Fellow. Her research has been presented at Dance Studies Association, Performance Studies international, the Asia Pacific Dance Festival Conference, the National Women’s Studies Association, the Popular Culture Association, the International Conference on Movement and Computing and other symposia. Patel has been published in Performance Research Journal, Refractions Journal, the San Francisco Chronicle, Life as a Modern Dancer, Contact Quarterly, and InDance. Her co-authored essay, “Locating Popular Dance and Dance in Popular Culture” and case study essays “Gender Is a Drag: Performing Hybridity on RuPaul’s Drag Race’s Maxi Challenge ‘Prancing with the Queens’” and “‘To Exist is to Survive Unfair Choices’: The OA and Queer Acts of Protest” appear in Dance in US Popular Culture edited By Jennifer Atkins. Patel has a forthcoming essay on performing futurisms in The Routledge Companion to Performance and Technology. Patel serves as Editorial Assistant for Choreographic Practices. Bhumi was a 2022-2023 Dance/USA Fellow and a 2023 YBCA 100 Honoree. Making art is her way of tracing the deeply woven connections in which we live–past, present, future–as a way to build communities of nourishment and care.
Patel Dance Works

 

Links Mentioned in Today’s Episode:

 

Podcast produced by: The Moving Architects

Interviewer: Erin Carlisle Norton

MSP 198: Winifred Haun

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MSP 198: Winifred Haun

Release Date: 4.9.26

TO DOWNLOAD PODCAST OR LISTEN:

    • Apple: Subscribe, Listen, Rate Us HERE

    • Spotify: Follow and Listen HERE

    • Any Smartphone Podcast app: Subscribe and Listen

Starting with the Heart with Winifred Haun

Episode 198: Show Notes.

If you want long-term success in the dance industry, you need to be very clear on why you’re doing it and who it’s for above anything else! In this conversation, you’ll hear all about Winifred’s introduction to dance, how her craft has evolved over the years, some of the incredible dance practitioners she has learned from, how she decided she wanted to dance for her career, and what it was like to start her company, Winifred Haun and Dancers. We delve into the importance of balancing unique ideas with appealing entertainment for audiences before discussing how her company has evolved over the years and how Winifred continues to create work. Winifred goes on to remind us of the power and importance of collaboration in the dance space and shares why she loves mentoring people so much. We even hear about some of the incredible projects she’s been part of, including her recurring Community Dancer Project, what making site-specific dance work is like, and what the future holds for her. To hear all this and some pearls of wisdom from this illustrious guest, be sure to tune in now!

Key Points From This Episode:

  • Welcoming Winifred Haun to this episode of the show.
  • Winifred tells us about her dance history and how she became interested in dancing. 
  • What it was like to balance being a dance apprentice and working other jobs. 
  • Starting her own company, Winifred Haun and Dancers, and what her focus is. 
  • How Winifred Haun and Dancers has grown over the years, and where they rehearse.
  • The importance of collaboration and mentorship in the dance industry. 
  • Winifred tells us about her Community Dancer Project and other projects she’s done.  
  • Our guest tells us what it’s like to make dance pieces for specific spaces. 
  • What the future holds for Winifred Haun and Dancers and some advice for young creators.

Winifred Haun is the founder, choreographer and artistic director of her own contemporary dance company, Winifred Haun & Dancers.  Since the 1990’s, Wini has created over 70 new dance works, including one full length ballet.  She has received numerous awards and accolades for her work, including a 2022 3Arts Award and a 2016 MacArthur Foundation Award.

Wini performed and toured with the Joseph Holmes Chicago Dance Theatre, under the direction of Joseph Holmes and Randy Duncan, from 1985 to 1992. She has conducted numerous residencies and workshops, locally, nationally and internationally. Wini has taught modern dance and ballet at Hubbard St. Dance Center, Joffrey Academy, Chicago Academy for the Arts, Legere Dance Center, Joel Hall Center, and many other prestigious Chicago area dance studios. She and her husband, physicist Stephen Parke, have three daughters, and one granddaughter.

WinifredHaun.org

 

Links Mentioned in Today’s Episode:

 

Podcast produced by: The Moving Architects

Interviewer: Erin Carlisle Norton

MSP 197: David Parker

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MSP 197: David Parker

Release Date: 3.19.26

TO DOWNLOAD PODCAST OR LISTEN:

    • Apple: Subscribe, Listen, Rate Us HERE

    • Spotify: Follow and Listen HERE

    • Any Smartphone Podcast app: Subscribe and Listen

Making Dance Performance ‘Fun’ with David Parker

Episode 197: Show Notes.

In this episode of Movers & Shapers, we welcome the founder of the Bang Group, David Parker, to talk about his incredible career and how his life and dancing are entwined. Tuning in, you’ll hear all about David’s life, how a film about the Golden Age of entertainment sparked his love for dance, the training he received, and so much more! David tells us all about his time in New York, his love for tap dancing, and what it was like to experience ‘the Dance Boom’. We delve into his decision to start choreographing later in life and how his sexual awakening informed his work before discussing how he combined dancing and acting in his choreography. David goes on to tell us about how choreography became his passion and why he still sees the importance of being able to dance when he wants to, even in his 60s. We even talk about some of the challenges he’s faced in his career and touch on some of the highlights of his career. Finally, our guest tells us what he is working on now. To hear all this, and so much more, be sure to press play now!

Key Points From This Episode:

  • Welcoming David Parker to the show. 
  • Where David’s from and how he started dancing. 
  • His time at Bard College and why he decided to leave. 
  • David touches on his love for tap, in particular, and his rhythmic brain. 
  • His experience of ‘the Dance Boom’ in New York. 
  • Why David only started choreographing in his late 20s.
  • Creating work that conveys meaning: acting through dance. 
  • David tells us about the personal revelation he had about his sexuality. 
  • Why it is very important for him to be able to dance as well as create. 
  • Some of the trials and peak moments he’s been through in his career. 
  • What David is working on at the moment.

The Bang Group is a rhythm-driven, theatrical dance company based in New York City which spans contemporary and percussive forms.  The company, founded and directed by Jeffrey Kazin and David Parker in 1995 tours widely throughout North America and Europe and is best-known for its comic/subversive, neo-vaudeville Nutcracker entitled Nut/Cracked, now in its 23rd season.  The Bang Group performs regularly in New York City at Arts On Site, 92NY, New York Live Arts, Danspace Project, The Flea, Symphony Space, and many other venues.  TBG has a second home in Boston which it developed through sustained partnerships with Summer Stages Dance, The Institute of Contemporary Art and The Dance Complex where its Dance Now Boston initiative is in its 12th season.  It has also enjoyed 9 seasons at The Yard on Martha’s Vineyard  and 16 years in residence at The West End Theater on Manhattan’s Upper West Side.  As a teacher of Dance Composition, Parker has served on the faculties of The Juilliard School, Princeton University, Barnard College, Hunter College, Marymount Manhattan College, The Alvin Ailey School and SUNY Purchase.  He has also taught several times for The Bates Dance Festival and served as an adjudicator for ACDA.  Parker continues to perform in his own work and the work of other choreographers including Catherine Tharin, Sara Hook, Christopher Williams, Doug Elkins, Kelli Edwards, Sara Rudner, and as a guest artist with The New York Theatre Ballet.  In addition to creating repertory for The Bang Group, he has created over 60 works for modern and ballet companies, colleges and universities, dance festivals, and soloists.  He has written about dance for Dance Magazine, The Brooklyn Rail and other independent publications. Parker is a 2013 Guggenheim Fellow in choreography.  www.thebanggroup.com

Links Mentioned in Today’s Episode:

Interviewer: Erin Carlisle Norton

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