MOVERS & SHAPERS: A DANCE PODCAST

Filmmaker and Choreographer Jamila Glass is known for creating cinematic journeys of movement, shaping characters, and building worlds that reflect what make us human. In addition to creating work as the Artistic Director of L.A. Contemporary Dance Company (where she joined in 2005 as a founding member), she has choreographed extensively in film and television. Glass’ choreography work includes projects on Netflix, HBO, Hulu, BET, and Prada, and garnered mentions in the New York Times, L.A. Times, Essence Magazine, Ebony Magazine, and Mashable. A cinema-television graduate from the University of Southern California (with an advertising minor), she has spent the last 10 years bridging the world of film and movement, directing and producing 20 dance films.

photo: Photo by Malachi Middleton

Connect:

Video Clip:

• Jamila Glass Rehearsal Trailer | “It’s Not You, It’s Me” 

Special Links:

• www.jamilaglass.com
• www.lacontemporarydance.org
• Instagram: @jamilaglass
• Instagram: @lacontemporarydance

Kristina Fluty has called Chicago dance company Molly Shanahan/Mad Shak her artistic home since 2003. She is one of the inaugural certified teachers of Shanahan’s Spiral Body Techniques® and works with Shanahan to develop the framework and disseminate the teachings. The Feldenkrais Method® and Contact Improvisation (more than 25 years of personal practice) are also largely influential in her creative work and pedagogy. Early training includes a BA from Point Park University, time on scholarship at the Trisha Brown studios, and the early ‘aughts downtown NYC dance scene with instructors/choreographers such as K.J. Holmes, Miguel Gutierrez, and David Dorfman.

Kristina has taught and/or coached movement at the University of Milwaukee-Wisconsin, Columbia College Chicago, the Lou Conte Dance Studio/Hubbard Street Dance Chicago, Dovetail Studios, Chicago Movement Collective, the University of Chicago, Lyric Opera, Mordine and Company, Thodos Dance Chicago, BoneDanse, and Synapse Arts. She has choreographed theatrical intimacy at Steppenwolf, Porchlight, TimeLine, Marriott, and Remy Bumppo in Chicago, as well as one gig at Center Theater Group in Los Angeles. She has danced with many choreographers and companies in venues such as Joyce Soho, Tangente Montreal, the Athenaeum, Links Hall, Millennium Park, and Ruth Page, and continues to perform as much as possible. 

Her MA and certifications in Laban/Bartenieff Movement Analysis and Movement Pattern Analysis are from Columbia College Chicago. Currently, Kristina is an Associate Professor at The Theatre School at DePaul University, where she teaches movement to actors in the BFA and MFA conservatory programs.

ABOUT Alyssa Gregory

Connect: The Process website, The Fly Honeys, Arts + Public Life

Alyssa (Uhh-lee-sa) Gregory is a Chicago based performer, choreographer, teaching artist, and arts administrator.  She’s worked with some of Chicago dance’s greatest including Erin Kilmurray, The Moving Architects, Joanna Furnans, The Leopold Group, Jenn Freeman/Po Chop, and The Fly Honey Show.  She holds a Bachelors of Fine Arts in Dance & Choreography from Virginia Commonwealth University and a  Masters of Arts in Performing Arts Administration from Roosevelt University.  She has worked in Marketing, Communications and Social Media for the Dance Presenting Series, Honey Pot Performance, The Fly Honey Show, the Arts Club of Chicago and is currently Communications Manager at Arts + Public Life. She is also host of The Process Podcast which highlights the creative process of Chicago dancers, dance makers and all-around booty shakers.  (she/her)

Tristan Ching Hartmann (she/her) was born and raised in Southern California.  She took her first dance class in the garage of her babysitter’s friend, and doesn’t remember a time (thankfully) when she didn’t dance.  She took ballet, jazz, and tap at local schools in Ventura until a fellow student Tristan idolized decided to start commuting to the Westside School of Ballet.  Tristan followed.  Tristan trained at Westside and spent summers at the San Francisco Ballet School until she graduated high school and entered Stanford University.  At Stanford, Tristan took her first modern dance, a rigorous Cunningham technique class taught by Diane Frank, as well as commuting up to San Francisco to study with Alonzo King, Arturo Fernandez, Carmen Rozestraten, and Summer Lee Rhatigan.  Tristan also began working with Robert Moses at this time.

Tristan graduated from Stanford with a B.A. in English and M.A. in Education, and moved up to San Francisco the next day.  She danced with Robert Moses’ Kin for 11 years, collaborating with incredible artists such as Sara Shelton Mann, Robert Henry Johnson, Joanna Haigood, Marcus Shelby, Somei Yoshino Taiko Ensemble, and Youth Speaks.  In March 2006, not searching for a better experience, just a different one while she could still dance, Tristan retired from Robert Moses’ Kin.  Two weeks after retiring from the company, Tristan learned she needed immediate cervical spine surgery; the following week, she and her husband, Mark, made the decision to travel after she had recovered.

While traveling, Mark was offered a job in London.  There, Tristan took the opportunity to reinvent herself—coming back to her love for jazz, getting an agent, and starting the West End audition circuit.  In 2009, Tristan danced at the BRIT Awards in a special tribute to the Pet Shop Boys featuring Brandon Flowers and newcomer Lady Gaga.  Tristan and Mark spent two years in London before moving back in 2010 to be closer to Mark’s father who had been diagnosed with a gliobastoma.

Back in San Francisco, Summer Rhatigan invited Tristan to join the faculty of the San Francisco Conservatory of Dance.  It was an oasis of learning, creation, and thought—fueled by teaching artists like Christian Burns, Alex Ketley, Eli Nelson, Miranda LaValle, Bobbi Jene Smith, and Tom Weinberger, as well as the students themselves.  Here, Tristan was able to refine her teaching skills and– thanks to Summer’s encouragement and support– began leading creative writing sessions and making work for the first time.

A big hole was felt—and is still felt—when the Conservatory closed in 2018.  Not feeling ready to teach anywhere else, Tristan instead invited some friends and former students to play around in the studio.  These play sessions led to a couple small solos and duets, which were eventually performed to live text by Christine No and Nick Jaina in a show produced by Red Light Lit. They were performed again in a collaborative show with Nol Simonse, Kara Davis, Victor Talledos, and Manuelito Biag in March 2020, days before shelter-in-place began.

And then, of course, the pandemic.  A huge ellipses for us all… A different experience for everyone and yet, somehow similar in its wonderings and grief, whether acknowledged or not.

In 2021, at 47 ½ years old, and 14 years after she had first expressed interest in working with the company, Tristan joined Margaret Jenkins Dance Company, thanks to the generosity and open-minded vision of its director.  When not in the studio with MJDC, Tristan enjoys a weekly movement practice led Sara Rudner, travelling with her husband, hosting a writing happy hour, gently exploring Argentine tango, and dreaming/collaborating with her friends.

PC:  Peter Teigen