MOVERS & SHAPERS: A DANCE PODCAST

Pat Catterson’s parents were a ballroom dancing team and her paternal grandfather a Vaudevillian tap dancer. Born in Indianapolis, she has been a NYC based artist for fifty years presenting her first full evening at Judson Church in 1970. Since then, she has choreographed 110 works, receiving many accolades including a 2011 Solomon R. Guggenheim Choreography Fellowship and multiple Choreography Fellowships from the National Endowment for the Arts, the CAPS Grants and the Harkness Foundation, as well as a Fulbright Commission. A dedicated educator, she has been on the faculties at Sarah Lawrence College, UCLA, the Juilliard School, and the Merce Cunningham Studio, among many others. For twenty years she taught her own tap classes in NYC and has been a guest artist all over the US and in Europe, most recently at the Kalamata Dance Festival in Greece and at Centre national de danse contemporaine in Angers France. Her writing has been published in Ballet Review, JOPERD, Attitude Magazine, Dance Magazine Online, the Getty Iris, and the Dance Research Journal. She first performed Yvonne Rainer’s work in 1969 and since 1999 has worked as her dancer, rehearsal assistant, as well as custodian of Rainer’s early works, touring nationally and internationally. In the past year she staged three Rainer works on the Stephen Petronio Company and this last May staged three others on four dancers for the Dublin Dance Festival at the Irish Museum of Modern Art. She earned her BA in psychology and philosophy from Northwestern University and her MFA in Interdisciplinary Arts from Goddard College. Her latest dance works have been “Artifice,” a consideration of the act of performing performed by eight dancers and five surprise performers premeiered at Triskelion, “NOW. “, an installation/performance/event that paired her eight NYC dancers with those in nine other countries dancing live together via Skype projection, and her current work, “Project 111: 12 by 6,” a series of solos for six different dancers created from the same base of twelve movement phrases. Rather than in a live performance, it will be “premiered” online this summer via various platforms.

MORE ON PAT

Website: PatCatDance.org

PODCAST INTERVIEW LINKS

Dr. Martha Eddy, RSMT, CMA, DEP is an author, researcher and professor who continues to teach and perform dance. She has held positions in either the Kinesiology or the Dance departments of Columbia, New York University, Princeton and San Francisco State University over the past 35 years. She earned her Masters in Applied Physiology and her doctorate in Movement Science from the Department of BioBehavioral Studies at Teachers College, Columbia University. She is best known for her lectures on and research in overcoming the side-effects to cancer treatment through dance and exercise, perceptual-motor development, and embodied peace-making and for developing her own system of Somatic Education entitled Dynamic Embodiment – an ISMETA approved professional training in Somatic Movement Education and Therapy. She currently offers her curricula in the low-residency (intensive format) Masters programs at Montclair State University (greater NYC), University of North Carolina- Greensboro, and St Mary’s College (San Francisco Bay Area), as well as offering workshops in Europe and South America.

She has written chapters for numerous books and has published dozens of peer reviewed articles, as well as served on peer review panels in the areas of Dance Science, Dance Medicine, Movement Psychotherapy, Motor Learning, Movement Notation and Movement Analysis. She was the In 2017 recipient of the National Dance Education Organization’s Outstanding Leadership award.   The work she has developed with her non-profit organization Moving For Life has been featured on national radio and television in the USA extensively. She frequently invited internationally to deliver key note addresses. Her book Mindful Movement the Evolution of the Somatic Arts and Conscious Action came out in 2016 and is available through Chicago University Press, Intellect Books and Amazon.

MORE ON MARTHA

Website: www.DrMarthaEddy.com

PODCAST INTERVIEW LINKS

92^nd Street Y

Rod Rogers

The Clark Center

Jill Williams

Laura Foreman

Art Bauman

Daniel Lewis

Hampshire College

Laban Movement Analysis 

Tara Stepenberg

Certified Movement Analyst

Robert Ellis Dunn

Irmgard Bartenieff

Irene Dowd

Bonnie Bainbridge Cohen

Body-Mind Centering®

Five College Dance Department

LABAN/Bartenieff Institute of Movement Studies

Barbara Mettler

Warren Lamb and “Action Profiling”

Bates Method

Linda Lantieri

Thomas Hanna 

ISMETA

“Mindful Movement” by Dr. Martha Eddy

Emilie Conrad, Continuum Movement

BodyMind Dancing™

Moving for Life program

Micah Institute

Elaine Summers

Nancy Topf

Global Water Dances

Studio 55 C

Dynamic Embodiment™

Stephen Petronio

Lauren Grant, honored with a New York Dance and Performance “Bessie” award for her career with the Mark Morris Dance Group, has danced with MMDG since 1996, appearing in over 60 of Morris’ works. In addition to staging Morris’ repertory on his company and at universities, Grant teaches ballet and modern technique for numerous professional dance companies and schools around the globe and is an adjunct faculty member at Montclair State University. Her writing has been published in the journal Dance Education in Practice, Ballet Review, Dance Magazine, and InfiniteBody. She also serves as a panelist for the New York State Council on the Arts. Grant earned her MFA in Dance from MSU (where she was a member of the Alpha Epsilon Lambda Honor Society) and her BFA in Dance from NYU’s Tisch School of the Arts. She is a recipient of the prestigious American Association of University Women Career Development Grant, the Sono Osato Scholarship for Graduate Studies, and the Caroline Newhouse Grant—all in support of her scholarly pursuits. Originally from Highland Park, IL, she lives in Brooklyn, NY with her husband David Leventhal (former MMDG dancer and current Dance for PD® Program Director) and their son, born in 2012.

MORE ON LAUREN

Website:  MarkMorrisDanceGroup

PODCAST INTERVIEW LINKS

Chicago City Ballet

Marjorie Tallchief

Ginny Siano

Svetlova Dance Center

NYU Tisch School of the Arts

David Leventhal

“The Hard Nut”

White Oak Dance Project

“L’Allegro”

Kate Johnson

Dance for PD

“Capturing Grace”

Marjorie Mussman

Dance Education and Practice (Journal)

Sarabande

Montclair State University – Dance

Douglas Dunn has been dancing and making dances for fifty years. His lineage includes: an outdoor California upbringing full with self-invented, physically challenging games; a wide range of athletic pursuits; years of ballet classes; a summer at Jacob’s Pillow; five years as a member of the Merce Cunningham Dance Company; and work with Yvonne Rainer leading to the founding and six-year career of Grand Union, the daring, no-rehearsal collective that included Steve Paxton, David Gordon, Barbary Dilley, Nancy Green, Yvonne Rainer and Trisha Brown. Douglas Dunn first presented his work in Manhattan in 1971. After a number of years of solo and duet work, he formed Douglas Dunn + Dancers in 1978. He likes to collaborate with poets, painters, sculptors, musicians, composers and playwrights to offer a multifaceted theatrical experience. He has set pieces for many companies besides his own, including the Paris Opera Ballet, and has composed numerous outdoor and site-specific events. He is renowned as a teacher of Technique and of Open Structures, with a long tenure at NYU’s Steinhardt School of Culture, Education, and Human Development. Awards include a Guggenheim, a Bessie, and Chevalier in the Ordres des Arts et des Lettres. He receives fellowships from the National Endowment for the Arts, the New York State Council on the Arts, the Department of Cultural Affairs, the John Simon Guggenheim Memorial Foundation, the New York Foundation for the Arts, the Lila Wallace-Reader’s Digest Fund, the Foundation for Contemporary Performance Arts, and the Creative Arts Public Service Program, among others. Douglas produces Salons at his studio in Soho and is Board Member Emeritus of Danspace Project/St. Mark’s Church since 2005. His collected writing, Dancer Out of Sight, is available at Amazon.com.

MORE ON DOUGLAS

Website:  DouglasDunn.com

PODCAST INTERVIEW LINKS

Jacob’s Pillow

Ted Shawn

Henry Moore

Rudolf Arnheim

The Gunnery 

Margaret Jenkins

Merce Cunningham

Sara Rudner

Twyla Tharp

Yvonne Rainer

Pat Catterson

Judson Dance Theater

Barbara Dilley

Grand Union

“Gestures in Red”

Paris Opera

Diane Frank

Deborah Riley

John Discoll

Edwin Denby

Rudy Burckhardt

Mimi Gross

Charles Atlas

“Secret of the Waterfall”

Joanna Harris

NYU Steinhardt 

Gus Solomons

Wendy Perron

Jennifer Stahl is Dance Magazine‘s editor in chief. A former senior editor of Pointe, she has also written for The Atlantic, Runner’s World and other publications. She holds a BFA in dance and journalism from New York University’s Tisch School of the Arts, where she danced work by such choreographers as Karole Armitage and David Dorfman. As a dancer, she’s performed for Peninsula Ballet Theatre, Israeli choreographer Gali Hod and Cirque du Soleil’s 25th-anniversary celebration. She has also served as a judge for the Capezio A.C.E. Awards, on the panel of the New York City Dance Alliance Foundation and as an adjudicator for the American College Dance Association. She was recently an invited speaker at the Women in Dance Leadership Conference.

MORE ON JENNIFER

Website:  dancemagazine.com

Instagram: @dancemagazine

PODCAST INTERVIEW LINKS

Sam Weber

Dianna Agron

NYU Tisch School of the Arts

“Roman Holiday”

Dance Teacher Magazine

Wendy Perron

William Forsythe

Virginia Johnson

Pointe Magazine

Hanna Rubin

Wendy Whelan

Alessandra Ferri

“This is America” by Childish Gambino

Theresa Ruth Howard

“25 to Watch”

Akram Kahn

Kyle Abraham