MOVERS & SHAPERS: A DANCE PODCAST

Bringing to you stories of life in dance to guide and inspire yours.  Tune in to hear candid conversations with dancers, choreographers, educators, company leaders, collaborators, and more, as they share personal journeys, creative insights, and ideas shaping the dance field today.  Launched in 2015, the podcast is also a living archive of the field’s evolving voices and stories. Hosted by Erin Carlisle Norton and available anywhere you get your podcasts.

 

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MSP 193: Morgan Teel

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PODCAST 193: Morgan Teel

Release Date: 1.22.26

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Beyond the Product: The Dance Process with Morgan Teel

 

Episode 193: Show Notes. 

Morgan Teel is the mind behind Dance Waterloo, an organization making dance more accessible through site specific and site responsive shows in Austin, Texas. During this episode, she joins us to share the story of how she first fell in love with dance, what deepened her knowledge of choreography, and the motivation behind launching Dance Waterloo. Morgan also shares what first drew her to site-specific work and how Austin audiences have embraced it, from intimate community performances to larger shows like Quixotic States at the Zilker Hillside Theatre Stage. We discuss her inventive projects, including a spelling bee themed dance production, and how she works to make the creative process as visible as the final product. Along the way, she reveals where she finds inspiration for her pieces and why accessibility, experimentation, and community connection remain at the heart of her vision for Dance Waterloo’s future.

Key Points From This Episode:

  • Morgan Teel’s introduction to the world of dance as a child.
  • Applying for colleges and honing her skills as a choreographer. 
  • What motivated Morgan to start Dance Waterloo: making dance more accessible.
  • Working full-time in an arts administration role. 
  • Naming Dance Waterloo, fundraising, and putting on their first show under an overpass.
  • How dance classes for families allow children to see their parents as equal collaborators.
  • The legacy Morgan hopes to build with Dance Waterloo.
  • How she is working with Austin’s senior population.
  • Marketing Dance Waterloo and growing its network. 
  • What first drew Morgan to site-specific work and how it has been received. 
  • The spelling bee dance production she recently put on. 
  • Where she finds inspiration for her pieces. 
  • How she is working to make the process of dance visible beyond the product of it. 
  • Quixotic States: a dance show at the Zilker Hillside Theatre Stage. 
  • Plans for the future: dancing with teenagers.
  • How Morgan cross-pollinates her skills.

ABOUT Morgan

Morgan Teel is a choreographer, dancer, and the founder and artistic director of Dance Waterloo, a 501(c)(3) non-profit organization that provides performances and dance education programs to adults and children, and to other artists at affordable rates. By integrating her passion for dance and expertise in community engagement she aims to bridge the gap between institutions and their communities, enabling mutual growth.

Morgan founded Dance Waterloo after realizing there was a gap in how dance was being shared with the community. For a city known for its cultural vibrancy, she was struck by how few people had ever experienced modern or contemporary dance. When she  talked to strangers, many said they didn’t watch modern dance because they didn’t feel like they “got it” or thought it wasn’t something for them. This opened her eyes to an opportunity: how could she offer dance in a way that felt accessible and inviting to everyone? In 2015, Dance Waterloo launched with their debut performance, Under the Overpass, a night performance at Skylines in Boggy Creek Greenbelt Park. Since its inception, Morgan has led the organization as it has expanded into community programs, virtual monthly workshops with proceeds supporting BIPOC, LGBTQ+, and disabled communities, mentorship for emerging rural Central Texas BIPOC, LGBTQ+, and disabled choreographers, and performances in partnership with Austin institutions like Lady Bird Lake, Epoch Coffee, and more. Through Dance Waterloo, Morgan believes in creating multigenerational work that brings the choreographic processes to a more digestible level, invites the audience to participate, and makes dance community driven.

In addition to her work at Dance Waterloo, Morgan is a Certified Enneagram Coach specializing in time management with an intuitive approach. Instead of using rigid systems, she helps individuals understand how their natural tendencies, motivations, and energy cycles influence how they manage their time. By focusing on self-awareness and adaptability, Morgan encourages people to work with their own rhythms, creating a sustainable balance between creativity, productivity, and rest. This approach aligns with her work in dance and community engagement, both of which require flexibility and the ability to adjust to shifting priorities while staying focused.

Morgan is committed to serving artists in Austin. In 2025, she joined the advisory council for Keep Austin Beautiful, an organization that has been serving Austin since 1983 to ensure that the community stays safe, clean, and beautiful. She has served as the president of Austin Emerging Arts Leaders (EAL), a collective of Austin-based arts practitioners, administrators, and advocates offering professional development opportunities and inclusive community building. During her tenure she co-created the mentorship program which identifies and cultivates the next generation of arts leaders by selecting approximately five emerging artists and arts administrators and pairing them with established mentors to build relationships that aid their personal, professional, and creative development. 

Morgan holds a masters of fine arts in Dance from The University of Wisconsin-Milwaukee and a bachelors of fine arts in Dance Performance and Choreography from The University of Southern Mississippi. Her artistic works have premiered across the United States—including Florida, Arkansas, Indiana, Mississippi, Texas, and New York—and internationally in Italy. For more information please visit, dancewaterloo.org.

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MSP 192: Mickela Mallozzi

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PODCAST 192: Mickela Mallozzi

Release Date: 1.8.26

TO DOWNLOAD PODCAST OR LISTEN:

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Bare Feet with Mickela Mallozzi

Episode 192: Show Notes. 

Joining Erin on the Movers & Shapers: A Dance Podcast today is Mickela Mallozzi. Mickela is a four-time Emmy® Award–winning host and executive producer of Bare Feet with Mickela Mallozzi, a PBS and Amazon Prime travel series celebrating global dance traditions. A professional dancer and trained musician, she travels the world exploring how everyday people express their cultures through movement. Her work has been featured in major outlets including The New York Times, Oprah Magazine, Condé Nast Traveler, Forbes, and The Washington Post, and more. In today’s conversation, Erin and Mickela delve into the origins of her dance journey, how a middle-of-the-night dream blossomed into her life project, Bare Feet, and she recounts the impact of growing up in an immigrant family on both herself and the TV show. Mickela unpacks how she worked hard to get her show off the ground, in the process starting a blog, and emphasizes the weight of storytelling in producing the episodes. She touches on what it’s like going into different cultural settings, how she has overcome challenges throughout the year, and when she realized that Bare Feet was more than just a travel show! To hear more about Mickela’s incredible journey, including how she navigated the ins and outs of the COVID-19 pandemic, and what hopes and dreams are coming into fruition in the near future, be sure not to miss out on another insightful episode. Thanks for listening!

 

Key Points From This Episode:

  • Mickela shares the origins of who she is and her dance journey.
  • How she took a middle-of-the-night dream and made it an award-winning TV Show reality.
  • She recounts growing up in an immigrant family with an amazing storytelling Nonnapina.
  • Mickela talks about Bare Feet, the TV Show, and the features of immigrant families in NYC. 
  • “The Plan” before Bare Feet came to be.
  • Mickela shares how dance returned to her life.
  • She tells the story of getting Bare Feet off the ground and ultimately starting her blog.
  • The story of sneaking into a PBS conference and how it panned out.
  • Mickela emphasizes the weight of storytelling on Bare Feet.
  • The importance of working hard and intentionally pursuing what you’re called to do.
  • She talks about the hard juxtaposition of finding funding and support for the show.
  • Mickela breaks down what it’s like going into culturally different communities and learning from the people, the dances, and the spaces. 
  • The difference between cultural appropriation and cultural appreciation. 
  • Overcoming challenges throughout the years: Mickela shares a real-life example of “figuring it out.”

ABOUT Mickela

Mickela Mallozzi is the 4x Emmy Award-winning Host & Executive Producer of Bare Feet with Mickela Mallozzi, a travel series on PBS.  Mickela likes to say she “makes new friends by dancing with strangers,” connecting with locals through the universal language of dance and music wherever she goes.  From re-discovering her family’s roots in Southern Italy to learning the haka with the Māori in Aotearoa (New Zealand), the series covers Mickela’s adventures as she experiences the world, one dance at a time.

Mickela has been featured in The New York Times, O Magazine, The Washington Post, AFAR Media, Hemispheres Magazine, Dance Magazine, Forbes, National Geographic, Condé Nast Traveler, NBC, and more, and she has performed on various television shows including Sesame Street.

Mickela is also an adjunct professor at her alma mater, New York University, where she teaches “Intercultural Communication Through Dance” when she’s not filming her TV series. The new season 8 of Bare Feet premieres on PBS starting December 2025.

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MSP 191: Sara Coffin and Susanne Chui

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PODCAST 191: Sara Coffin and Susanne Chui

Release Date: 12.18.25

TO DOWNLOAD PODCAST OR LISTEN:

    • Apple: Subscribe, Listen, Rate Us HERE

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Mocean Dance with Sara Coffin and Susanne Chui

Episode 195: Show Notes

Some creative partnerships do more than grow over time; they help shape an entire artistic landscape. In this episode of The Movers and Shapers Podcast, we meet Sara Coffin and Susanne Chui, co-artistic directors of Mocean Dance, whose long shared history and collaborative vision have transformed contemporary dance in Nova Scotia. Sara begins by tracing her path from early choreography to training across Canada and the United States, and how returning home eventually led her into a leadership role with Mocean Dance. Susanne shares her parallel journey, from a childhood in community dance to professional training in Toronto and the decision to return to Halifax, where she built an independent career before joining the company. Together, they reflect on the evolution of Mocean Dance from a dancer-centered company to a community-focused hub for creation, training, and sector-wide collaboration. They discuss how their friendship, complementary strengths, and improvisational ethos shape their working relationship, and they offer a look at the ambitious interdisciplinary and land-based projects that will define their next chapter. Listen in for a thoughtful conversation about collaboration, place-based artistry, and what it takes to sustain a thriving dance ecosystem outside major centers.

Key Points From This Episode:

  • Sara’s early pull toward dance and her first experiences in choreographing.
  • Training across Canada and finding her voice through somatics and collaboration.
  • Forming the SiNS (Sometimes in Nova Scotia) collective: building an early artistic community.
  • Returning to Halifax and stepping into leadership at Mocean Dance.
  • Completing her MFA at Smith College in the United States to deepen her artistic practice.
  • Susanne’s community-based dance beginnings and discovery of professional training.
  • Moving to Toronto for conservatory study and early company work.
  • Returning home to build an independent career supported by grants and local networks.
  • Joining Mocean Dance and forming a co-artistic partnership with Sara.
  • Learning the administrative demands of running a company.
  • Shifting Mocean from dancer-centered work to community-focused programming.
  • Expanding professional development offerings, labs, and training programs.
  • Building interdisciplinary partnerships across art, ecology, architecture, and design.
  • Developing land-based and relational works with Indigenous collaborators.
  • Reflections on sustaining a long-term creative partnership rooted in trust and improvisation.
  • Looking ahead to large regional initiatives and reimagined touring models.

ABOUT Sara Coffin

Sara Coffin (she/her) is an award-winning dance artist, choreographer, educator, and Co-Artistic Director of Mocean Dance.  Sara received the Creative Nova Scotia Established Artist Award in 2018. She holds a MFA in Choreography from Smith College (USA), BFA in Dance from Simon Fraser University and BSc in Kinesiology from Dalhousie University. Her choreographic work has been presented in many prominent Canadian dance festivals and in the United States. Coffin’s research interests include interdisciplinary collaboration, improvisation and the praxis of contact improvisation, technology as an extension of the body, and the poetic junction between vulnerability, resiliency, and courage.
photo: James MacLean

ABOUT Susanne Chiu

Susanne Chui (she/her) is a mother of two, an award-winning dance artist and Co-Artistic Director of Mocean Dance.  As a performer for 23 years, Susanne has worked with over 25 choreographers from across Canada, and her dancing in Mocean’s Canvas 5 x 5, choreographed by Tedd Robinson, earned her the 2016 Lieutenant Governor of Nova Scotia’s Masterworks Award.

For Mocean, Susanne has co-created with Erin Donovan (Hear Here Productions), Burnwater and Burnwater: Alchemy, both multi disciplinary, immersive performances. A passionate improvisor, Susanne collaborates across disciplines and is a faculty member of the Creative Music Workshop. Her most recent project, Where Dance and Music Meet, featured 19 performers in a full-length evening of improvised dance and music forms. Whether in the studio, on stage, or in unconventional environments, her work invites permeability between dancer, witness, and space—allowing each to shape the experience in real time.
photo: James MacLean

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MSP 190: Danielle Guillermo

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PODCAST 190: Danielle Guillermo

Release Date: 12.4.25

TO DOWNLOAD PODCAST OR LISTEN:

    • Apple: Subscribe, Listen, Rate Us HERE

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    • Any Smartphone Podcast app: Subscribe and Listen

 

The Dancer’s Entrepreneurial Leap with Danielle Guillermo

Episode 190: Show Notes

A dancer’s career is often shorter than many others, and for the most part, there comes a time when the performer must pivot and find other ways to find value and joy in their craft. Joining us today is Danielle Guillermo, a former dancer turned dance consultant, as well as brand strategist and web designer. We begin with Danielle’s background and how she got into the world of dance before learning how her home and school support structures gave her the confidence needed to excel in performance. Then, we examine how her career goals have evolved since high school, how being rejected from Juilliard was a blessing in disguise, her role at the Dayton Contemporary Dance Company, and other early-career experiences, and everything that happened to instigate the second phase of her career. We also discover how Danielle began building websites, her journey as a brand strategist, why she chose the teaching route, and why it’s possible (and healthy) for artists to have financial aspirations without compromising their art. To end, Danielle walks us through Dance News Daily — the news hub she built for the entire dance community — and we discover what she has planned for the near future as well as how to connect with her and her work.

Key Points From This Episode:

  • Danielle Guillermo describes who she is and how she got into the world of dance.
  • What drew her to ballet, and a journey through her time at dance school.
  • How her support structures gave her confidence that she previously had to fake. 
  • The goals she had when growing up in dance school and how they’ve evolved.
  • Rejected from Juilliard: The ups and downs of her dancing education after high school.    
  • The start of her career and her experience at Dayton Contemporary Dance Company. 
  • Her European adventure, and everything that happened post-DCDC 2. 
  • How Danielle’s performance career ended and why she chose to focus full-time on teaching. 
  • Breaking Glass: How she approached a career crossroads at the age of 31. 
  • How artists can also have aspirations of financial freedom without compromising their art.
  • Danielle’s website-building career and how it’s transformed her and her client’s lives.  
  • The importance of building a personal brand and making it visible to the right people.  
  • Unpacking Dance News Daily – a news hub for the entire dance community. 
  • Danielle’s upcoming projects and what she’s focused on moving forward.  
  • How to connect with Danielle Guillermo and her work.

Additional Notes about Danielle’s first dance jog:

“In my first company position, I was paid $283 per week in NYC. I was fortunate to find an apartment for $300/ month with a roommate. It was 2002, and it was a miracle to find such a deal in Manhattan. Everything was tight but with $25/week from my parents and a nice social network, my needs both physical and social were met. I never felt trapped at home unable to have fun. We also did a bit of touring and had our expenses and per diem covered.” Read more on her BLOG

ABOUT Danielle

Danielle Smith Guillermo has been involved in professional dance for over 20 years. A featured educator-turned-entrepreneur in Dance Teacher Magazine, Danielle is recognized for helping dance business owners elevate their marketing and management strategies. Prior to her career pivot, Danielle was an Adjunct Instructor of Dance at Messiah University and Director of the Messiah Summer Dance Intensive. She has also been on faculty at Pennsylvania Regional Ballet (PRB), Hershey School of Dance, and the school of Dayton Contemporary Dance Co. Her choreography has been shown at Symphony Space (NYC), Messiah University, Regional Dance America, and events nationally and abroad. She was awarded the Monticello Award and Josephine Schwarz Award for choreography and selected for the inaugural Breaking Glass Emerging Female Choreographer’s Project. One of her most meaningful projects is The Ugly Duckling, a modern-ballet, adapted story, and residency with an original score by the late James Casey, created to address bullying in elementary-aged children. This outreach project was performed by and grant-funded through PRB, making an impact on over 2000 students. As a dancer, Danielle has been a member of Avodah Dance Ensemble, Dayton Contemporary Dance Company II, and was a featured performer, dance captain, and choreographer at Sight & Sound Theatre. Most recently, Danielle launched DanceNewsDaily.com, a leading platform and daily newsletter delivering the latest dance news. She continues to provide web design services and resources for dance at DanielleGuillermo.com.

 

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MSP 189: Amber Sloan

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PODCAST 189: Amber Sloan

Release Date: 11.20.25

TO DOWNLOAD PODCAST OR LISTEN:

    • Apple: Subscribe, Listen, Rate Us HERE

    • Spotify: Follow and Listen HERE

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A Life in Dance with Amber Sloan

Episode 189: Show Notes.

Amber Sloan’s life in dance has unfolded through curiosity, community, and constant reinvention. Growing up in Virginia, her early exposure to improvisation and composition in high school sparked not just a love of movement but a way of thinking that would shape her future. Her time at the University of Illinois Urbana-Champaign deepened that foundation and connected her with the people and places that helped her put down artistic roots. From piecing together income through unexpected jobs, including one for Harvey Keitel’s wife, to choreographing for the Joyce SoHo and seeking to scale her work in the years leading up to the pandemic, Amber has never shied away from the uncomfortable or the uncertain. She’s navigated performance anxiety, surgery and recovery, and the challenge of being involved in many facets of the dance world, from performing with David Parker to presenting work through platforms like Women in Motion. Today, with recent pieces like her show at Kestrels (set to return next year), she continues to build a career that defies the assumptions people often make about a life in dance. At the heart of it all is a simple, lasting dream: to keep exploring alongside the dancers who move her work forward. Thanks for listening.

Key Points From This Episode:

  • Amber Sloan’s upbringing in Virginia and her introduction to dance. 
  • How early experiences of improv and composition in high school shaped her career.
  • Continuing her dance journey at the University of Illinois Urbana-Champaign.
  • How the connections she made while studying helped her develop roots in dance.
  • Working various jobs to pay the bills, including a role for Harvey Keitel’s wife.
  • Choreographing for the Joyce SoHo. 
  • Making an effort to do her work in a bigger way pre-pandemic. 
  • Navigating performance anxiety and doing what is uncomfortable. 
  • Being involved in many different areas of dance. 
  • How a 2015 surgery and recovery impacted Amber’s career. 
  • Dancing for David Parker: rehearsals, footwork, and more. 
  • Amber’s presenting work, including Women in Motion and more. 
  • Recent work including a show at Kestrels which will show again next year. 
  • Why a life in dance is often not what you might expect. 
  • Her ultimate dream for her work: to keep exploring with her dancers.

ABOUT Amber

Amber Sloan is a New Jersey State Council on the Arts Choreography Fellow whose work has been presented across the United States, Mexico City, Mexico, and locally at venues including Kestrels, Arts On Site, Roulette Theater, Dixon Place, 92Y Harkness Dance Center, Art House Productions, South Orange PAC, Smush Gallery, the EstroGenius Festival, and in a 21-year commissioning relationship with the DanceNow Festival. She was a Monira Foundation Performance Resident at Mana Contemporary, an Artist in Residence at Union Street Dance, an Emerging New Jersey Commissioned Choreographer for Dance on the Lawn, and a Schonberg Fellow at The Yard on Martha’s Vineyard. She has been awarded space grants from Gibney Dance Center, Brooklyn Arts Exchange, and Spoke the Hub, and her work has been annually supported by the Jerome Robbins Foundation since 2009.
As a performer, Amber has been a member of The Bang Group since 2002, and has performed in works by Doug Elkins, Keely Garfield, Sara Hook, Stephan Koplowitz, and James Waring, as staged by Richard Colton. She serves on the faculty of the Ailey School as the dance composition teacher for the Professional Division program. She has been a guest teacher at Marymount Manhattan College, DeSales University, Muhlenberg College, Holy Cross, Salem State, American Ballet Theatre’s Summer Intensive, Boston Ballet Summer Program, The Yard, Gibney Dance Center, and Brooklyn Arts Exchange.
Amber is the Assistant Executive Director of Arts On Site, a women-led nonprofit organization founded in 2016 to support artists and build community. She co-directs Women in Motion NYC, an organization whose mission is to foster female choreographers through the commissioning of new work, producing, and mentoring, and she serves on the advisory board of Art Omi: Dance. Amber holds a BFA in Dance from the University of Illinois at Urbana-Champaign where she was honored with the Beverly Blossom/Carey Erickson Alumni Dance Award.

 

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Amber Sloan

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